Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More!

Selakovich, Dan

ISBN 10: 0240813375 / ISBN 13: 9780240813370

Published by Focal Pr, 2010

About this Item

3rd edition. 412 pages. 10.50x8.25x1.00 inches. In Stock.

Seller Inventory # x-0240813375

Bibliographic Details

• Title: Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More!
• Publisher: Focal Pr
• Publication Date: 2010
• Language: English
• ISBN 10: 0240813375
• ISBN 13: 9780240813370
• Binding: Paperback
• Condition: Brand New
• Weight: 1.18 kilograms

About this title

Synopsis

"The singular beauty of this book is that Mr. Selakovich has successfully dedicated himself to producing clarity with every page." --Michael Ferris, Camera Operator/DP (Die Hard)

"For filmmakers who like to shoot their films with a mobile camera without spending a fortune on equipment rentals, this book is a great gift indeed. I highly recommend it for its clarity and common sense." --Kris Malkiewica, Cinematographer/Author

Don't buy or rent your film equipment--build it! Construct professional-quality camera rigs on your own with this comprehensive, step-by-step guide and stop wasting your money on overpriced equipment rentals and purchases! Dan Selakovich guides you through the creation of jibs, dollies, cranes, car-mounts, sandbags, tripods, and more.

Features include:

• Build inexpensive but reliable and sturdy rigs--including cranes, dollies, stabilizers, car-mounts, and more; most for much less than $100!
• Includes over 2,000 photographs with clear step-by-step instructions, safety guidelines, material lists, and tool lists for each rig.
• American standard and metric measurements included.
• Includes a companion website.

About the Author

Dan Selakovich has held almost every position on a variety of film and video projects: Cinematographer, assistant camera, gaffer, grip, boom operator, loader, and since 1986, editor and second unit director. As an editor, Dan acquired the reputation as someone who could "fix" a film in trouble, and found himself working mostly as an uncredited film surgeon making bad films a little more watchable.