The Kissing Bug. This item is unavailable.
Language: English
Published by Spunk Goblin Press, 2008
- Softcover
- Used

Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas
AbeBooks seller since July 2, 2009
Condition: Used - Very good
US$ 7.98
Item description from seller
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller Inventory # G1933929677I4N00
- Title
- The Kissing Bug
- Author
- Buck, Daniel Scott
- Publisher
- Spunk Goblin Press
- Publication year
- 2008
- Condition
- Very Good
- Dust jacket
- No Jacket
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1933929677
- ISBN 13
- 9781933929675
- Item weight
- 0.55 pounds
"Synopsis" may belong to another edition of this title.
About the Author
Daniel Scott Buck was born in Baker City, Oregon, the historic social center of the Powder River Gold Rush. He was raised by a mill worker and grew up in other small towns, most notably Lebanon, Oregon, home of the World's Largest Strawberry Shortcake.
He worked as an investigator at the public defender's office for a number of years, and now spends his time telling stories for your pain and pleasure. His debut novel, THE GREATEST SHOW ON EARTH, was picked as Novel of the Year by 3:AM Magazine in Paris, and was also a Needle Award finalist.
He is a graduate of Reed College and still lives in Portland where he is co-founder and president of the Portland Literary Offensive. THE KISSING BUG is his second book.
ABOUT THE ARTIST:
Born among the briars and brambles in the backwoods of Medford, Oregon, Evan Benjamin Harris grew up with little knowledge of bourgeois big city fine arts. So, he dove into the recesses of his own imagination and embraced the fables and folklore that fascinated him. With little to do but draw, he did exactly that. Now older, things haven't changed much. The stories that he created as a child are still present in his paintings. With diligence and hard work, Evan's crude stick figures became the more clearly defined images you see today. With no formal art training, he creates on his own terms.
Broken boards, oil and acrylic paints, charcoal pastels, plastic resin, and melted waxes are among the mediums Evan uses. Then they are broken, brushed, sanded, polished, and hung. Most would cringe at the idea of scratching or sanding something they spent hours upon hours painting, but that's Evan's favorite part -- creating the appearance that this wasn't made in the 21st century, but perhaps in the 20th. So, behind every scratch and claw mark, there is a story to tell.
"About the title" may belong to another edition of this title.