Kitsch!
Ruth Holliday, Tracey Potts
Sold by Rarewaves.com UK, London, United Kingdom
AbeBooks Seller since June 11, 2025
New - Hardcover
Condition: New
Ships from United Kingdom to U.S.A.
Quantity: 1 available
Add to basketSold by Rarewaves.com UK, London, United Kingdom
AbeBooks Seller since June 11, 2025
Condition: New
Quantity: 1 available
Add to basketFrom bottle gardens, the bachelor pad and Batman to designer gnomes and monogamy spray, this book uses a diverse range of objects to explore the changing significance of kitsch. With its unique approach to its subject, Kitsch! Cultural politics and taste promises to advance debates in cultural studies and sociology around taste, while providing an invaluable introduction for students and interested readers.Kitsch! examines how the idea of kitsch is mobilised - progressively, as bad taste, as camp and as cool - to inform notions of identity and sensibility. Where most studies proceed from the kitsch object, this book takes the moment of aesthetic judgement as its starting point and attempts to identify the ideological work performed by the category itself. The book poses the strongest challenge to those who argue that taste is democratised in contemporary culture, offering ample evidence that judgements of taste have shifted ground rather than relaxed.
Seller Inventory # LU-9780719066153
From bottle gardens, the bachelor pad and Batman to designer gnomes and monogamy spray, this book uses a diverse range of objects to explore the changing significance of kitsch. With its unique approach to its subject, Kitsch! Cultural politics and taste promises to advance debates in cultural studies and sociology around taste, while providing an invaluable introduction for students and interested readers.
Kitsch! examines how the idea of kitsch is mobilised – progressively, as bad taste, as camp and as cool – to inform notions of identity and sensibility. Where most studies proceed from the kitsch object, this book takes the moment of aesthetic judgement as its starting point and attempts to identify the ideological work performed by the category itself. The book poses the strongest challenge to those who argue that taste is democratised in contemporary culture, offering ample evidence that judgements of taste have shifted ground rather than relaxed.
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