Kurt Seligmann: First Message from the Spirit World of the Object.

Seligmann, Kurt (artist.). Hauser, Stephan E. (text.); Weinstein Gallery (San Francisco).

ISBN 10: 0979020735 / ISBN 13: 9780979020735

Published by San Francisco, CA: Weinstein Gallery., 2015

About this Item

4to. 181 pp. Gray paper-covered boards with red lettering and white illustration. As new with tight binding. Color plates. Black end papers. Color plates. Includes essays by Timothy Baum, Stephan E. Hauser, Stephen Robeson Miller, Meyer Schapiro. Catalogue published on occasion of exhibition "Kurt Seligmann: First Message from the Spirit World of the Object" in San Francisco, CA at Weinstein Gallery from May 9 through June 13, 2015. Heavy volume, additional shipping fee may apply.From the Collection of the Art Historian Peter Selz.

Seller Inventory # 18-6921

Bibliographic Details

• Title: Kurt Seligmann: First Message from the Spirit World of the Object.
• Publisher: San Francisco, CA: Weinstein Gallery.
• Publication Date: 2015
• Language: English
• ISBN 10: 0979020735
• ISBN 13: 9780979020735
• Binding: Hardcover
• Condition: Good
• Seller catalogs:
  • Catalogue--Exhibition

About this title

Synopsis

Although highly regarded by the critics and curators of his time, the Swiss-American Surrealist, Kurt Seligmann has largely been unheeded in the canon of art history. This monograph, the first English-language book dedicated to the artist, features extensive exploration and analysis of both Seligmann’s life and work. The art historians Stephan E. Hauser, Stephen Robeson Miller, and Martica Sawin contribute essays with an introduction by famed Columbia art historian, Meyer Schapiro. Kurt Seligmann was the first member of the Paris-based Surrealists to relocate to New York in the first months of World War II and was instrumental in helping to rescue many of his fellow artists and intellectuals from Occupied France, including the founder of Surrealism, Andre Breton. We follow the artist’s work as he moves from his friendship with Jean Arp and involvement with the Abstraction-Création group, to his induction as an official member of Breton’s Surrealist circle, to his exile in America and his influence on many of the up-and-coming New York School artists. His scholarly obsession with magic and extensive collection of occult books as well as his ethnographic interests and adventures are explored in detail. Interwoven with text are archival photos of the Surrealist artists, writers and poets, reproductions of the artist's works from the 1920s through the 1950s, and historical ephemera, in this rediscovery of an impactful artist and man in the history of modern art.