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L.C.

Daitch, Susan.

31 ratings by Goodreads
ISBN 10: 1564783154 / ISBN 13: 9781564783158
Published by Dalkey Archive. 1 Paperback(s), 2002
New Condition: New Soft cover
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About this Item

Lucienne Crozier—a bourgeois Frenchwoman living in the 19th century—kept a diary in which she recorded her failed marriage, her love affair with the artist Eugène Delacroix (who painted her as the "Woman in Moroccan Costume") and fighting on the barricades in the Revolution of 1848, in this novel by the author of Storytown. The diary passes through many hands until in the 1960s, Berkeley radical Jane Amme uncovers the published diary and finds a kindred spirit in Crozier—prompting her to write a happy ending for Crozier's life story."Well worth reading for its ingenious interweaving of narrative threads, for its uncompromising treatment of sex and politics, and for the questions it raises about truth and deception in representing self and history."—LATimes 284. Bookseller Inventory # 33993

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Bibliographic Details

Title: L.C.

Publisher: Dalkey Archive. 1 Paperback(s)

Publication Date: 2002

Binding: soft

Book Condition:New

About this title

Synopsis:

Blending historical fiction with feminist and revolutionary politics, Susan Daitch's first novel is a complex and unique look at the controversial nature of historical representations. This story within a story within a story opens in 1968, with a preface to Dr. Willa Rehnfield's translation of Lucienne Crozier's diary. Although the authenticity of Lucienne's account is uncertain, her diary attests to her involvement in the 1848 revolution in Paris, an illicit love affair, and her eventual exile from France. Midway through Rehnfield's translation, a distinctly modern voice emerges from the footnotes. These notes belong to Dr. Rehnfield's literary executor, Jane Amme - a Berkeley radical on the run for her actions during the student riots of the 1960s - who uncovered the translated diary and became intrigued with the parallels between Lucienne's depictions of revolution and her own experiences. Dissatisfied with Dr. Rehnfield's translation, Jane defiantly rewrites the final outcome of Lucienne's story, reclaiming this forgotten Frenchwoman as a prototype of the modern feminist.

About the Author:

Susan Daitch is the author of four works of fiction. Her short fiction has been included in The Norton Anthology of Postmodern Fiction, Tin House, Guernica, Bomb, Conjunctions, McSweeney's, The Brooklyn Rail, The Pushcart Prize Anthology, Ploughshares, The Village Voice, and elswhere. Her work has been the recipient of two Vogelstein awards. Her novel L.C. won an NEA Heritage Award and was a Lannan Foundation Selection. She teaches at Hunter College.

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