"The Last Ball is actually very similar to the work of Hirschfeld; Rigdon has the same talent for the long-simmer tale, putting a bunch of rich characters together in glamorous settings. Like some of Hirschfeld's work, it's also a bit too long for its own good, filled with uneccessary scene-setting and padding. Two things set Rigdon's work apart from Hirschfeld, first, he tends to be a bit more literary. There's a fair bit of "word painting" in The Last Ball, particularly in the descriptions of the countryside and the weather, some of which is so florid and verbose that it would shame a 19th century travelogue writer. The other difference between Rigdon and Hirschfeld is that Rigdon, when he wants to be, is a whole hell of a lot trashier. The "last ball" in question is an annual converging of the entitled elite at a charity ball in New York City; traditionally it has been helmed by Jessica Eldridge, daughter of a president and royalty in all but name. Jessica though is quite advanced in years and won't be able to handle events this year. Meanwhile a group of jet-setters squabble amongst one another, anticipating the ball. The odd man out in the group is John Hartman, "the lion of wall street," a tough-talking bastard who has made his millions but has never been accepted as part of the rich set. He's only married into it; his wife, Leah, is a drunk who enjoys giving herself away to other men while John can only stand by and seethe. Leah's father is one of the richest of the rich, so it only adds to John's frustration that he isn't even accepted as part of the group by his own in-laws. So, John plans his vengeance by determining to become the master of the ball this year; in this way he will be the leader of this elite pack, and get their goat in the biggest possible way."

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