Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin (Semiotext(e) / Native Agents)
Language: English
Published by Semiotext(e), 2019
- Softcover
- New
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
AbeBooks seller since March 25, 2015
Condition: New
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Add to basketItem description from seller
In English.
Seller Inventory # ria9781635900804_new
- Title
- Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin (Semiotext(e) / Native Agents)
- Author
- Dworkin, Andrea
- Publisher
- Semiotext(e)
- Publication year
- 2019
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 1635900808
- ISBN 13
- 9781635900804
- Item weight
- 760 grams
- Series
- Book 3 of 39: Semiotext(e) / Native Agents
Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency.
Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and “My Suicide” (1999), a despairing long-form essay found on her hard drive after her death in 2005.
"Synopsis" may belong to another edition of this title.
About the Author
Johanna Fateman is a writer, musician, and coowner of Seagull Salon in New York. Her art criticism appears regularly in The New Yorker and Artforum.
Amy Scholder is an editor and writer. She is currently producing a documentary feature, Disclosure: Trans Lives on Screen, and serves as board president of Lambda Literary.
Johanna Fateman is a writer, musician, and coowner of Seagull Salon in New York. Her art criticism appears regularly in The New Yorker and Artforum.
"About the title" may belong to another edition of this title.
Ria Christie Collections
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