The Last Good Time: Skinny D'Amato the Notorious 500 Club and the Rise and Fall of Atlantic City

In the style of Midnight in the Garden of Good and Evil, with the glamour of Ratpack Confidential and the intrigue and sleaze of the Sopranos, Jonathan van Meter has woven a stunning work of narrative non-fiction, set around one family amidst the alternately glamorous, seedy and forbidding Atlantic City. The Last Good Time tells the story of Skinny D'Amato and his daughter Paulajane. A close friend of Cubby Broccoli, Frank Sinatra, Sammy Davis, Jr. and Dean Martin, and a de facto member of the rat pack, Skinny was the owner of the famous nightspot the 500 Club, and someone who made millions when legal gambling started in Atlantic City. He died in seclusion, smoking five packs of cigarettes a day, after his family became mired in scandal. The author moved to Atlantic City as a young man and became involved in the drama of the D'Amato family and the seedy underworld they inhabited. His portrait of the city moves from its shabby boardwalk to the glittering Trump casinos to the faded, upper-class Bay Club and the gay bars on New York Avenue, haunted by the spectre of the Mob.

The Last Good Time is a richly layered epic that brings to life a fascinating place, its politics, people, and culture, through the portrait of one of Atlantic City’s most famous families—the powerful, flamboyant, and ultimately tragic D’Amatos. Paul “Skinny” D’Amato created and presided over the 500 Club, the celebrated supper club that entertained thousands of Americans and helped guide the careers of the great Rat Pack performers—Dean Martin, Sammy Davis Jr., and Frank Sinatra. Skinny was at the center of it all, hovering behind the scenes during the zenith of one of the world’s most notorious playgrounds.

Veteran magazine writer Jonathan Van Meter captures the volatile history of twentieth-century Atlantic City—from the days of Prohibition and smoky speakeasies to the city’s heyday of imported Hollywood glamour and glitz after World War II; from the near demise of the resort in the 1970s to the city’s current era of legal “gaming” and dazzling high-tech hotel/casinos.

Skinny D’Amato avoided the public eye whenever possible, though he was perhaps the most important person in the history of Atlantic City, where his nightclub served as the ultimate backroom for the big players of entertainment, politics, sports, and the Mob. Skinny is rarely acknowledged as part of the Rat Pack, but he was at the center of its creation, its mentor. It was Skinny who taught Sinatra how to hold a cigarette, tip big, be cool. He paired Jerry Lewis and Dean Martin for the first time at his 500 Club, and on any given night back in the 1950s and 1960s, you’d find Elizabeth Taylor, Toots Shor, the Gabor sisters, Joe DiMaggio, Milton Berle, Liberace, Grace Kelly, Nat King Cole, and just about every big player in the underworld hanging out by the bar or in the back rooms. Skinny was a link between politicians—including John F. Kennedy—entertainers, and the Mob and was the subject of constant surveillance by the FBI and tax investigators. Whether he was in the Mob or not, Skinny was the ultimate connected guy, a gentleman’s gentleman, a passionate gambler who had a special touch that brought bigpeople together so that they could have a good time.

As Van Meter evokes the ever-evolving landscape of Atlantic City, he shows us how the D’Amato family, like other larger-than-life American families during the last century, experienced a changing wheel of fortune, seeing great moments of wealth, power, and personal attainment, as well as all manner of human tragedy. In the space of a few years, Skinny’s beloved wife, Bettyjane, died of a brain aneurysm at a relatively young age; the 500 Club burned to the ground; and, perhaps most devastating of all, his son, Angelo, was convicted of brutally murdering two people. With the last of the good times behind him, Skinny retreated to his Ventnor, New Jersey, mansion, taking his card game with him, emerging to see his Rat Pack friends, and, in the process, becoming a living symbol of how cool it all was once upon a time in America.

Van Meter expertly renders one of the great untold tales of modern America, a character portrait of both an extraordinary time and place, and the Zelig-like man who hovered over it all. The Last Good Time is a classic tale of the whiskey-soaked dark side of America’s mid-century popular culture.
From the Hardcover edition.