Latin American Comics in the Twenty-First Century: Transgressing the Frame (World Comics and Graphic Nonfiction Series)

2025 Katherine Singer Kovacs Prize, Modern Language Association
2025 Comics Studies Society Charles Hatfield Book Prize, Honorable Mention

How twenty-first-century Latin American comics transgress social, political, and cultural frontiers.

Given comics’ ability to cross borders, Latin American creators have used the form to transgress the political, social, spatial, and cultural borders that shape the region. A groundbreaking and comprehensive study of twenty-first-century Latin American comics, Latin American Comics in the Twenty-First Century documents how these works move beyond national boundaries and explores new aspects of the form, its subjects, and its creators.

Latin American comics production is arguably more interconnected and more networked across national borders than ever before. Analyzing works from Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, James Scorer organizes his study around forms of “transgression,” such as transnationalism, border crossings, transfeminisms, punk bodies, and encounters in the neoliberal city. Scorer examines the feminist comics collective Chicks on Comics; the DIY comics zine world; nonfiction and journalistic comics; contagion and zombie narratives; and more. Drawing from archives across the United States, Europe, and Latin America, Latin American Comics in the Twenty-First Century posits that these comics produce micronarratives of everyday life that speak to sites of social struggle shared across nation states.

James Scorer is a senior lecturer in Latin American cultural studies at the University of Manchester. He is the author of City in Common: Culture and Community in Buenos Aires, the editor of Comics Beyond the Page in Latin America, and the coeditor of Cultures of Anti-Racism in Latin America and the Caribbean and Comics and Memory in Latin America.