The Left-Hand Path: Mentor. This item is unavailable.The Left-Hand Path: Mentor

Nathaniel Moore is a myth. He's a witch too powerful to exist and too clever to be caught. He's kept himself young for two hundred and fifty years with life-stealing dark magic and left a long trail of bodies in his wake, but no matter how many Chasers the Magistrate sent after him, not one of them was the challenge he wanted. Elton Willis, a model Chaser for the Magistrate, expected the ultimate villain when he cracked the cold case and tracked Moore to a cheap apartment in Yuma. What he got was an infuriatingly carefree man who smokes like a chimney, laughs at puns, and treats his young apprentice like a daughter. It's an uncomfortable discovery for someone determined to bring the man to the Magistrate's gallows. Further complicating the issue, Elton has accidentally let loose one of Nathan's old enemies--a lich with a vengeful attitude and a thirst for human souls. Now the Chaser is forced to choose between taking Nathan in, which would leave the murderous monster to roam free, or teaming up with the object of his obsession to take the lich down. The obvious answer, of course, is also the option that's the biggest pain in Elton's ass.

T.S. likes to write about what makes people tick, whether that s deeply-rooted emotional issues, childhood trauma, or just plain hedonism. Throw in a heaping helping of action and violence, a sprinkling of steamy bits, and a whisper of wit (with alliteration optional but preferred), and you have her idea of a perfect novel. She believes in telling stories about real people who live in less-real worlds full of werewolves, witches, demons, vampires, and the occasional alien. Born and bred in the South, T.S. started writing young, but began writing real novels while working full time as a legal secretary. When she s not skiving off work to write, she reads other people s books, plays video games, watches movies, and spends time with her husband and daughter. She hopes her daughter grows into a woman who knows what she wants, grabs it, and gets into significantly less trouble than the women in her mother s novels.