Liar

Fourteen-year-old Alex leaves his self-destructive, emotionally abusive mother to live with his grandparents in Rimrock, Oregon, and as he begins a new life in a small rural community, he battles his impulses to fight, steal, and lie for survival.

Grade 6-9. One step away from a juvenile correction center, Alex, a rough L.A. teen, is placed with little-known grandparents in a small, rural Oregon community. His long hair and earring set him apart from his short-haired flannel-shirted schoolmates. Only Barry, resident misfit, and Mickey, an artistic girl, befriend him. His troubled past and bad luck soon trip him up. His dysfunctional mother's surprise visit triggers an emotional, unpleasant scene; he runs away and seeks shelter in an abandoned homestead, accidentally setting it on fire. Tensions escalate at school, where he is accused of stealing a walkman. Angry and paranoid, he flees again, hoping to elude his probation officer. Trapped by an early blizzard, he is rescued by a father whom he's never met. Alex is placed in a juvenile-correction facility after all, but his grandparents and Mickey help him to clear his name. Flat, stereotyped characters and predictable situations limit readers' sympathy for the protagonist and his plight. Though his grandparents and Mickey are fleshed out, the mother, probation officer, school personnel, and students are "types." Alden Carter's Up Country (Putnam, 1989) and S. E. Hinton's Taming the Star Runner (Dell, 1989) cover the same territory with more substantive plotting, multidimensional characters, and crisp narrative styles. Gary Paulsen's Harris and Me (Dell, 1995) uses humor to offset a thoughtful, powerful, bittersweet story of a boy from a thoroughly dysfunctional family who, like Alex, is sent to the country to live with relatives.?Alice Casey Smith, Sayreville War Memorial High School, NJ
Copyright 1997 Reed Business Information, Inc.

Alex has one last chance to stay out of the reformatory-to move in with his grandparents in a remote Oregon town and keep out of trouble for a year. He has grown up with an alcoholic mother whose chief talent is for lying ("She could say anything, and you'd believe her"), and he is so used to her erratic ways that regular breakfasts, friends and farm chores at his grandparents' are amazing to him. Morris could have stopped here with a happy ending, but she doesn't let Alex escape quite so easily. By accident, Alex starts a forest fire, and he can't bring himself to own up to it. Then a Walkman and a motorcycle disappear, and everyone blames him. This story isn't easy to read, yet its ultimately uplifting message is about not giving up, even if the life you get is not what you would have chosen. Authoritatively depicted, the stark beauty and small-town life of rural Oregon form a strong backdrop to a tale with the ring of truth. Ages 12-up.
Copyright 1996 Reed Business Information, Inc.

Despite a seemingly vindictive probation officer, a 14-year- old juvenile delinquent makes a fresh start with his grandparents in this realistic, swiftly paced novel. Alex, 14, is the product of a terrible upbringing--his mother is an inveterate liar and a drifter who has never hesitated to strike him. Throughout the story that he narrates, Alex offers readers glimpses of his former life, traveling from city to city, where his mother ``entertained'' a string of boyfriends who were no more eager to see a small boy in the apartment than Alex was to see them. Frequently locked out of the house, he began to hang around in video arcades or parks where he eventually ended up in a fight, resulting in criminal charges against him. The book opens as Alex arrives at his grandparents' farm. Unlike the protagonist in Garland's Letters From the Mountain (see review, above), Alex is a boy with heart who might just overcome his poisonous past. Morris (The Future of Yen-Tzu, 1992, etc.) creates suspense by contrasting the influence of the people who show Alex kindness with the forces tempting him to dangerous behavior. The natural setting is a healing influence for the boy, who loves Western novels and unrealistically dreams of his absentee father coming to rescue him on a horse. The truth is finer than dreams, though; Alex, unfairly tested and tried, realizes that even under duress he can make the right choices for himself. (Fiction. 12+) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

Gr. 7^-10. Alex arrives at his grandparents' farm in Oregon just before his fourteenth birthday, leaving behind, it is hoped, years of maternal neglect and a life headed for the streets. Starting over proves a rocky course, what with trying to get by in a small rural high school with its requisite bullies and unsympathetic principal, not to mention his gruff grandfather and Alex's overall sense of isolation. Not unexpectedly, the lonely teen finds himself on a collision course with trouble. Things do eventually work for the better, but not in a quick-fix sense, which adds to the strength of the plot. Strong characterizations and dialogue enhance this fine novel as well. Mickey, Alex's one caring friend, is well drawn and just involved enough to avoid the stock ministering-angel role. The grandparents are both frightened and strong, with Grandpa's testiness well counterpointed by Grandma's awkward warmth. Alex narrates well, letting readers see his tough-on-the-outside, hurting-on-the-inside persona. Reminiscent of Alden Carter's popular Up Country, this novel reaches to a slightly younger audience as well. Anne O'Malley