El libro, m�s all� de ser un mero soporte textual, debe ser considerado como una obra de arte en s� misma y como un medio de comunicaci�n a muy diferentes niveles. Es un artefacto f�sico en cuya materialidad intervienen las m�s variadas t�cnicas; pero tambi�n es un espacio en el que lo textual y lo ic�nico interact�an, posibilitando un �mbito de mutua influencia entre literatura y artes pl�sticas. Nuestro prop�sito es presentar el libro desde sus m�s variadas dimensiones, ofreciendo un recorrido lo m�s completo y novedoso: desde su car�cter material hasta el valor simb�lico que lo rodea; desde su concepci�n m�s pr�ctica hasta la m�s art�stica; desde su funci�n como medio para conocer otros espacios y tiempos hasta su capacidad para adaptarse a los retos de la era digital.

About the Author

Fernando Gonz�lez Moreno es Profesor Titular de Historia del Arte en la Facultad de Humanidades de Albacete (Universidad de Castilla-La Mancha, Espa�a). Entre sus principales l�neas de investigaci�n se encuentra la historia del grabado, de la estampa y del libro ilustrado, en concreto, del Don Quijote. Tambi�n ha trabajado la recepci�n ilustrada de la obra de Edgar A. Poe y de Frankenstein de Mary Shelley.

Alejandro Jaquero Esparcia es Profesor Asociado de Historia del Arte en la Facultad de Humanidades de Albacete (Universidad de Castilla-La Mancha, Espa�a). Su l�nea principal de investigaci�n es el estudio de la literatura art�stica en la Edad Moderna y sus correspondientes aplicaciones te�ricas (poemas did�cticos sobre las artes) o pr�cticas (pintura decorativa y arquitecturas fingidas).

Margarita Rigal Arag�n es Profesora Titular del Departamento de Filolog�a Moderna en la Facultad de Humanidades de Albacete (Universidad de Castilla-La Mancha, Espa�a) especializada en literatura norteamericana y, en concreto, en la obra de Edgar A. Poe. Actualmente y desde su fundaci�n es la Presidente de la �Edgar Allan Poe Spanish Association�.

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