This Student Edition of Brecht's classic dramatisation of the conflict between free enquiry and official ideology features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature
Along with Mother Courage, the character of Galileo is one of Brecht's
greatest creations, immensely live, human and complex. Unable to resist
his appetite for scientific investigation, Galileo's heretical
discoveries about the solar system bring him to the attention of the
Inquisition. He is scared into publicly abjuring his theories but,
despite his self-contempt, goes on working in private, eventually
helping to smuggle his writings out of the country.
As an
examination of the problems that face not only the scientist but also
the whole spirit of free inquiry when brought into conflict with the
requirements of government or official ideology, Life of Galileo has few equals. Written in exile in 1937-9 and first performed in Zurich in 1943, Galileo
was first staged in English in 1947 by Joseph Losey in a version
jointly prepared by Brecht and Charles Laughton, who played the title
role. Printed here is the complete translation by John Willett.
Bertolt Brecht (1898-1956) is acknowledged as one of the great dramatists whose plays, work with the Berliner Ensemble and critical writings have had a considerable influence on the theatre. His landmark plays include The Threepenny Opera, Fear and Misery of the Third Reich, The Life of Galileo, Mother Courage and Her Children and The Caucasian Chalk Circle.
Jenny Stevens was an Associate Lecturer for the Open University and currently combines educational consultancy work with teaching and writing. She is the co-author with Pamela Bickley of
Essential Shakespeare: The Arden Guide to Text and Interpretation (2013) and
Shakespeare and Early Modern Drama: Text and Performance (2016).
John Willett (1917-2002) was the greatest English language authority on Brecht the writer and man of the theatre. The foremost translator and editor of Brecht's drama, poetry, letters, diaries, theatrical essays and fiction, Willett produced a dozen volumes for Methuen Drama on the greatest modern German writer.
Chris Megson is Senior Lecturer in Drama and Theatre at Royal Holloway, University of London. He has taught and published widely in the field of modern drama, and is editor of
The Methuen Drama Book of Naturalist Plays. Other works include:
Get Real: Documentary Theatre Past and Present (with Alison Forsyth, 2011),
and
Modern British Playwriting: The 70s: Voices, Documents, New Interpretations (2012).
Matthew Nichols graduated from the University of Birmingham in 2003 and has been teaching and leading outstanding Drama and Performing Arts departments for over a decade. Matthew also has extensive experience at a senior level with several exam boards, and was responsible for writing one of the reformed GCSE qualifications in Drama. In addition, Matthew works with schools, colleges, universities and theatres across the country. Matthew is a successful and sought after Drama education consultant, and was one of the founders of Drama Defined, which specialises in delivering high quality Drama education courses to staff and students. Matthew is currently Head of Drama at Manchester Grammar School. You can reach him on Twitter @matthew_drama.
