Good and evil fairies abound in this rich collection of compelling tales by one of the foremost fantasy writers of the nineteenth century. So do magical lands, sinister monsters, giants, ogres, and other creatures from the realm of the imagination.
In "The Light Princess," a young royal, bewitched at birth by her spiteful aunt, is cursed with uncontrollable bouts of lightness. (Gravity, it seems, doesn't affect her!) A little boy in "The Golden Key" is told he can find a magical key at the end of the rainbow. What the key will open, though, is part of its mystery. And in "The Giant's Heart," the monster in question is truly heartless, for he's hidden his heart, and it's up to two determined children to find the awful thing and put an end to the colossal ogre. These and five other beguiling tales, all delightfully illustrated by famed pre-Raphaelite painter Arthur Hughes, are sure to charm readers of all ages — those already familiar with MacDonald and those about to meet him for the first time.
EDITED WITH AN INTRODUCTION AND NOTES BY U. C. KNOEPFLMACHER
"I have never concealed the fact that I regarded [George MacDonald] as my master.... The quality that had enchanted me in his imaginative works turned out to be the quality of the real universe, the divine, magical, terrifying and ecstatic reality in which we all live". -- C. S. Lewis
George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. The Complete Fairy Tales brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: fairies good and wicked, children embarking on elaborate quests, journeys into unsettling dreamworlds, life-risking labors undertaken. But though they allude to familiar tales such as "Sleeping Beauty" and "Jack the Giant-Killer", MacDonald's stories are profoundly experimental and subversive.
By questioning the concept that a childhood associated with purity, innocence, and fairy-tale "wonder" ought to be segregated from adult skepticism and disbelief, they invite adult readers to adopt the same elasticity and open-mindedness that come so naturally to a child. Enlisting paradox, play, and nonsense much like Lewis Carroll's Alice books, these fictions challenge us to question and rethink our assumptions, and offer an elusive yet meaningful alternative order to the dubious certitudes of everyday life.
