Liminal Infrastructure - The Optics Division of the Metabolic Studio. This item is unavailable.
Language: English
Published by DePaul University Art Museum, US, 2015
- Softcover
- New

Seller: Rarewaves.com USA, London, London, United KingdomRarewaves.com USA
AbeBooks seller since June 11, 2025
Condition: New
US$ 13.67
Item description from seller
Led by artists Lauren Bon, Richard Nielsen, and Tristan Duke, the Optics Division of the Metabolic Studio is a team devoted to exploring and expanding the photographic medium. Working with the Liminal Camera, a massive, portable camera obscura fashioned from a shipping container, the Optics Division uses experimental technology in an ongoing effort to map and depict the American landscape. From the arid West to New York's waterways, the camera has captured dramatic scenes of regions in transition. As part of this project, The Liminal Camera presents newly commissioned photographs made in and around Chicago. Though enormous in size, the camera, transported on a semi-trailer truck, was unobtrusive from an outsider's perspective, allowing the artists to work without drawing attention. Photographs could be developed from within the shipping container, blending the image's subject with the process of photography itself. The resulting large-scale prints not only highlight the evolving history of photographic imaging, but also locate the city within a complex global network of transportation systems, industry, and commerce.…
Seller Inventory # LU-9780985096007
- Title
- Liminal Infrastructure - The Optics Division of the Metabolic Studio
- Author
- Lauren Bon, Lawrence Weschler, Gregory J. Harris, Optics Division Optics Division
- Publisher
- DePaul University Art Museum, US
- Publication year
- 2015
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0985096004
- ISBN 13
- 9780985096007
- Item weight
- 340 grams
As part of this project, The Liminal Camera presents newly commissioned photographs made in and around Chicago. Though enormous in size, the camera, transported on a semi-trailer truck, was unobtrusive from an outsider’s perspective, allowing the artists to work without drawing attention. Photographs could be developed from within the shipping container, blending the image’s subject with the process of photography itself. The resulting large-scale prints not only highlight the evolving history of photographic imaging, but also locate the city within a complex global network of transportation systems, industry, and commerce.
"Synopsis" may belong to another edition of this title.
About the Author
A widely honored journalist, Lawrence Weschler is the director of the New York Institute for the Humanities at New York University. He is the author of twelve books, including Mr. Wilson’s Cabinet of Wonder, Vermeer in Bosnia, and, most recently, Everything That Rises: A Book of Convergences.
Gregory J. Harris is assistant curator at the DePaul Art Museum in Chicago.
"About the title" may belong to another edition of this title.