Paperback. This is a major re-evaluation of the role and cultural significance of Gothic horror. It offers analysis of literary, film, art and popular cultural texts and critical explanations of key terms (horror, uncanny etc.) to interrogate the contemporary and historical significance of monsters, vampires and ghosts in technological and consumer culture. -- . This is a major re-evaluation of the role and cultural significance of Gothic horror. It offers analysis of literary, film, art and popular cultural texts and critical explanations of key terms (horror, uncanny etc.) to interrogate the contemporary and historical significance of monsters, vampires and ghosts in technological and consumer culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Bibliographic Details

Title: Limits of horror (Paperback)
Publisher: Manchester University Press, Manchester
Publication Date: 2011
Language: English
ISBN 10: 0719083656
ISBN 13: 9780719083655
Binding: Paperback
Condition: new

About this title

Synopsis

Horror isn’t what it used to be. Nor are its Gothic avatars.

The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity.

Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud’s idea of the death drive.

Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory.

About the Author

Fred Botting is Professor in the Institute for Cultural Research, Lancaster University.

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