In 1953 Marlon Brando donned a black leather Perfecto motorcycle jacket, military cap, denim jeans, and engineer boots to portray Johnny, sneering leader of the Black Rebel Motorcycle Club, in The Wild One. In 1954 Tom of Finland abandoned brown leather in his artwork to create his own wild ones: muscular, hyper-masculine, black leather-clad rebels with powerful engines between their legs. The look was adopted by the Satyrs Motorcycle Club, the first gay outlaw club, that same year, making Tom’s fantasy world reality. Of course, being Tom, he soon customized his new gay icons, adding leather jodhpurs, knee high boots and leather caps, and every motorcycle bore the brand name “Tom” on the gas tank.Tom’s bikers first appeared as two “Motorcycle Boys” in Physique Pictorial, Winter 1958. Another made the cover of the April 1960 issue. Bikers dominated his PP content from then on, as a nod to its American readership as much as his growing obsession. When he sought an ongoing character, a personal avatar, in 1968, he created Kake as the ultimate biker leatherman, and elaborated on his riding adventures – of every kind - through 26-panel stories. Tom adopted Kake’s gear as his own, presenting in black leather jacket, white t-shirt, jeans, and high boots to the end of his life.The Little Book of Tom: Bikers includes Tom’s earliest images for Physique Pictorial, Kake in motorcycle gear, biker panel stories, and sizzling single drawings, all packed into 192 pages of sexy, masculine men enjoying other masculine men in black leather, blue jeans, and high black boots. On bikes.
Touko Laaksonen, the boy who would become Tom of Finland (1920-1991), began drawing cartoons at age five. His favorite subjects were the rough manly men of his native Finland. He found success in the Finnish advertising industry but secretly continued creating his increasingly erotic drawings of hyper-masculine men. In 1957 he submitted some drawings to the American magazine Physique Pictorial and the “Tom of Finland” legend was born. By the late 60s Tom’s “dirty drawings” became the standard for gay art, and Tom’s Men a template for a new gay masculinity.
Dian Hanson is a senior editor and writer for TASCHEN, with over 50 books to her credit. In addition to ARNOLD, her recent works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta.
Read here how it all began.
Touko Laaksonen, el niño que había de convertirse en Tom of Finland (1920-1991), comenzó a dibujar caricaturas a los cinco años. Sus temas favoritos eran los rudos hombres viriles de su Finlandia natal, ya que Touko supo desde una tierna edad que los hombres le interesaban más que las mujeres. Su talento fue perfeccionado estudiando arte en Helsinki. Tuvo éxito en la industria publicitaria finlandesa, pero continuó creando en secreto sus dibujos cada vez más eróticos de hombres hipermasculinos. En 1957 envió algunos a la revista norteamericana Physique Pictorial y nació la leyenda “Tom of Finland”. A fines de los años 1960, los “dibujos cochinos” de Tom se habían convertido en el estándar del arte gay y los hombres de Tom en modelos de una nueva masculinidad homosexual. El arte de Tom sigue jugando un rol importante en promover la autoconfianza, una imagen positiva y una mentalidad abierta en la comunidad gay.
