Living Cargo (Paperback)

Steven Blevins

ISBN 10: 0816697167 / ISBN 13: 9780816697168

Published by University of Minnesota Press, Minnesota, 2016

About this Item

Paperback. Living Cargoexamines contemporary literature, film, visual art, and performance by writersand artists in the U.K. who maintain strong ties to postcolonial Africa and theCaribbean. It explores how contemporary black British culture makers haveengaged with the institutional archives of colonialism and the Atlantic slavetrade to reimagine blackness in British history and make claims for social andpolitical redress. Living Cargo Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9780816697168

Bibliographic Details

• Title: Living Cargo (Paperback)
• Publisher: University of Minnesota Press, Minnesota
• Publication Date: 2016
• Language: English
• ISBN 10: 0816697167
• ISBN 13: 9780816697168
• Binding: Paperback
• Condition: new

About this title

Synopsis

Offering a wide-ranging study of contemporary literature, film, visual art, and performance by writers and artists who live and work in the United Kingdom but also maintain strong ties to postcolonial Africa and the Caribbean, Living Cargo explores how contemporary black British culture makers have engaged with the institutional archives of colonialism and the Atlantic slave trade in order to reimagine blackness in British history and to make claims for social and political redress. 

Steven Blevins calls this reimagining “unhousing history”—an aesthetic and political practice that animates and improvises on the institutional archive, repurposing it toward different ends and new possibilities. He discusses the work of novelists, including Caryl Phillips, Fred D’Aguiar, David Dabydeen, and Bernardine Evaristo; filmmakers Isaac Julien and Inge Blackman; performance poet Dorothea Smartt; fashion designer Ozwald Boateng; artists Hew Locke and Yinka Shonibare; and the urban redevelopment of Bristol, England, which unfolded alongside the public demand to remember the city’s slave-trading past. 

Living Cargo argues that the colonial archive is neither static nor residual but emergent. By reassembling historical fragments and traces consolidated in the archive, these artists not only perform a kind of counter-historiography, they also imagine future worlds that might offer amends for the atrocities of the past.

About the Author

Steven R. Blevins is a writer and teacher living in northern California.