The first monograph on Liz Glynn offers a thematic journey through a decade of her sculptures, installations, and live performances.

From her first participatory performance building Rome in 24 hours--in cardboard--to Open House, her open-air Gilded Age ballroom--cast in concrete--in Central Park, Liz Glynn examines the past to shed light on present day social and economic conditions through a diverse array of sculptures, structures, and actions. This monograph, designed to emphasize Glynn's interest in process, temporality, labor, and shifting notions of value, features a series of essays on the artist's practice as a whole, texts on each of her discrete projects as well as images from the artist's studio, and documentation of her performances. Together they give readers a comprehensive overview of an artist whose career has garnered enormous attention from audiences and critics alike.
Published in association with MASS MoCA

About the Author

SUSAN CROSS is Curator of Visual Arts at MASS MoCA in North Adams, Massachusetts.

CONNIE BUTLER is Chief Curator at the Hammer Museum in Los Angeles.

LUIS BLONDET is Curator of Special Projects at LACMA in Los Angeles.

"About this title" may belong to another edition of this title.

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