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Long poem by Marxist poet, critiquing early 21st century technofeudalism and the UK's economic decline.

A new long poem for half a voice on the subject of despised knowledge and political invisibility, published alongside a selection of shorter poems and essays dealing variously with the merging and commingling of smartphones and human bodies, the role of elegy in the mid-2000s, the social basis of fascism in the 2010s, social class, and the symbolic dysmorphia of the British high street. All of the work collected here circles around two central relationships: between politics and knowledge, and between poetic language and speech.