Paperback. This book, the first English-language history of the French revolutionary group Socialism ou Barbarie, focuses on the period of 1949 to 1957 when the influence of the group began to wane. Hastings-King explains why Socialisme ou Barbarie's anti-Leninist position on organization led it to privilege first person narratives in order to understand worker experience and its revolutionary possibilities.Looking for the Proletariat draws on these narratives-the only first-person accounts of the working-class experience in French industry during the 1950s-to explore the disintegration of collective investment in the Marxist Imaginary that unfolded at Renault's Billancourt factory in the aftermath of the Hungarian Revolution. The first ever English-language history of the influential French revolutionary group Socialisme ou Barbarie. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Bibliographic Details

Title: Looking For The Proletariat: Socialisme Ou Barbarie And The Problem Of Worker Writing (Paperback)
Publisher: Haymarket Books, Chicago
Publication Date: 2015
Language: English
ISBN 10: 1608464822
ISBN 13: 9781608464821
Binding: Paperback
Condition: new

About this title

Synopsis

This book, the first English-language history of the French revolutionary group Socialism ou Barbarie, focuses on the period of 1949 to 1957 when the influence of the group began to wane. Hastings-King explains why Socialisme ou Barbarie’s anti-Leninist position on organization led it to privilege first person narratives in order to understand worker experience and its revolutionary possibilities.

Looking for the Proletariat draws on these narratives the only first-person accounts of the working-class experience in French industry during the 1950s to explore the disintegration of collective investment in the Marxist Imaginary that unfolded at Renault’s Billancourt factory in the aftermath of the Hungarian Revolution.

About the Author

Stephen Hastings-King, Ph.D. (1999) in Modern European History from Cornell University. He lives by a salt marsh in Essex, Massachusetts where he makes constraints, works with prepared piano and writes entertainments of various kinds.

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