Synopsis
Captain America teams up with fellow soliders out of time in this exciting era by industry icon J.M DeMatteis!
In this Marvel Masterworks edition, Captain America encounters two other soldiers from out of time—one from years past and one from our future. Jack Monroe, the troubled 1950s Bucky, seeks out Cap and finds a someone who understands his plight and a new role as Nomad. Then, in a DeMatteis/Zeck classic, Deathlok, the reanimated cyborg super-soldier, enlists Cap in his future-war. Also featuring Nick Fury and his Agents of S.H.I.E.L.D., the final days of a Golden Age icon, a resurgent Secret Empire and revelations about the Cosmic Cube. Finally, the Falcon takes center stage in a miniseries that pits him against a malfunctioning Sentinel, Electro and a street gang that has kidnapped President Ronald Reagan!
COLLECTING: CAPTAIN AMERICA (1968) #281-289 & ANNUAL (1971) #7 and THE FALCON (1983) #1-4
About the Author
A native New Yorker, writer J.M. DeMatteis has been one of comics’ most respected writers for nearly three decades. Ranging from the introspective psychological drama of Moonshadow to the offbeat comedy of Justice League to the autobiographical Brooklyn Dreams, he’s written from nearly every perspective in graphic storytelling. His long list of credits includes Captain America, Defenders, Justice League International, the groundbreaking Spider-Man storyline “Kraven’s Last Hunt," Spectre and more. His recent work includes the acclaimed children's novel Imaginalis and the popular comics-prose hybrid Abadazad books.
Writer Christopher Priest has penned many Marvel titles — including Falcon, Power Man and Iron Fist, Conan the Barbarian, Deadpool and The Crew — but he is best known for his stunning revitalization of Black Panther for the Marvel Knights line. Priest co-founded Milestone Comics and co-created the fan-favorite Quantum and Woody for Acclaim Comics. Priest’s later Marvel credits include Captain America & the Falcon, Spider-Force and U.S.Agent.
Peter B. Gillis began as a 1970s freelancer on Marvel Two-in-One, Super-Villain Team-Up and other titles. Later, he became regular writer on Defenders, Eternals and Strange Tales, in which he subjected Doctor Strange to a soul-searching gamut of good and evil magic. Elsewhere in the Marvel multiverse, he wrote Micronauts: The New Voyages and launched Strikeforce: Morituri with Brent Anderson, telling tales of a universe in which superhumans must embrace death to protect the Earth. He has also written for First Comics, TSR Games and others; he co-created Shatter, the first digital comic.
Mike Zeck regularly drew Master of Kung Fu, Power Man and Iron Fist, Spectacular Spider-Man and other hits of the late 1970s. He joined J.M. DeMatteis on a remarkable Captain America run, reviving Baron Zemo, Nomad and Deathlok. In Secret Wars, he helped introduce the alien costume that eventually became a component of Venom; reuniting with DeMatteis, he drew the groundbreaking “Kraven’s Last Hunt” storyline for the Spider-Man titles. He has also drawn DC’s Aquaman, Green Lantern, Lobo and others.
Formerly a regular artist on Solo Avengers, as well as West Coast, Mark Bright is noted for working with writer Christopher Priest on Falcon, Power Man and Iron Fist, Quantum and Woody and other titles. He has also drawn Marvel’s incarnation of G.I. Joe and several DC flagship characters in Action Comics Weekly, Batman and Green Lantern.
After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than one hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.
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