MCSWEENEY'S QUARTERLY CONCERN. Issuew No. 13. An Assorted Sampler of North American Comic Drawings, Strips, and Illustrated Stories

Chris Ware

ISBN 10: 1932416080 / ISBN 13: 9781932416084

Published by McSweeney's Ltd, San Francisco, 2004

About this Item

3rd impression, stated. A Near Fine copy in Near Fine dust jacket. 4to., 263 pp., fully illustrated. Black cloth backed gray paper over boards in "comic section" dust jacket. Light edge wear to thje dj. The dj is now protected in a mylar sleeve. Laid in is "Girls Against Pain" comic. A Near Fine copy in Near Fine dust jacket.

Seller Inventory # 012217

Bibliographic Details

• Title: MCSWEENEY'S QUARTERLY CONCERN. Issuew No. 13. An Assorted Sampler of North American Comic Drawings, Strips, and Illustrated Stories
• Publisher: McSweeney's Ltd, San Francisco
• Publication Date: 2004
• Language: English
• ISBN 10: 1932416080
• ISBN 13: 9781932416084
• Binding: Cloth
• Condition: Near Fine
• Dust Jacket Condition: Near Fine
• Seller catalogs:
  • Art

About this title

Synopsis

Presents an anthology of contemporary comics by such cartoonists as Richard McGuire, Mark Newgarden, Lynda Barry, and Jaime and Gilbert Hernandez, along with a few vintage comics.

Reviews

Guest-editing Dave Eggers's literary journal, Jimmy Corrigan cartoonist Ware has assembled a beautifully designed anthology of contemporary art comics, with a few vintage treats thrown in, including an excerpt from "Obadiah Oldbuck"—an 1842 publication that's arguably the first American comic book—and a series of very rough sketches by Charles Schulz. A few pieces have recently been published elsewhere (including excerpts from Mark Beyer's loopy, design-heavy Amy and Jordan and Joe Sacco's comics essay on Sarajevo, The Fixer), but the book is a superb introduction to the best American cartoonists working today. Some of them, including Richard McGuire and Mark Newgarden, haven't published much since the heyday of RAW in the late 1980s and early '90s; others, like Lynda Barry and Jaime and Gilbert Hernandez, are prolific creators at the top of their form. As Ira Glass points out in his introduction, Ware seems to believe cartooning gets no respect at all, and his McSweeney's is a passionate defense of the medium. Ware has included work by artists with an impressively varied range of visual styles and narrative techniques. And Ware's own contribution is brilliant: the book's cover unfolds into a gigantic "comics supplement" of his bitter little cartoons, with extra, tiny comic books by Ron Regé Jr. and John Porcellino tucked into its folds.
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