Neuware - By studying the importance of specialist art periodicals in creating the artistic, economic and cultural-historical value of modern art and visual culture, this volume is dedicated to the history and legacy of specialist art reviews, bulletins, and magazines across Europe-and their echoes elsewhere-in the early to mid-twentieth century. It assembles historical case studies on European modern art periodicals (British, French, German, Belgian, Finnish, Danish), presenting new research on the multiple meanings that such specialist publications assume within the history of modern art. Paying special attention to the interdependence of the art market and the art press, and reflecting upon the fresh insights that new forms of reading bring, each chapter adds to our historical understanding of the modern art review. ; Kunstkritik in Zeitschriften spielte eine herausragende Rolle f�r die Rezeption der modernen Kunst in Europa. Sie hatte Einfluss auf die k�nstlerische, wirtschaftliche und kulturhistorische Bewertung der neuen Kunststr�mungen der ersten H�lfte des 20. Jahrhunderts. Der Band zeigt diesen Einfluss anhand von Fallstudien zu britischen, franz�sischen, deutschen, belgischen, finnischen und d�nischen Kunstzeitschriften. Ein besonderer Fokus liegt dabei auf der Wechselbeziehung zwischen Kunstmarkt und Kunstpresse.

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Bibliographic Details

Title: MODERN ART REVIEWed : Art Reviews, Magazines and Gallery Bulletins in Europe, 1910-1945
Publisher: De Gruyter Nov 2022
Publication Date: 2022
Language: English
ISBN 10: 3110737361
ISBN 13: 9783110737363
Binding: Buch
Condition: Neu
Dimensions: 245 millimeters width by 178 millimeters height by 24 millimeters depth
Weight: 1072 grams

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Synopsis

By studying the importance of specialist art periodicals in creating the artistic, economic and cultural-historical value of modern art and visual culture, this volume is dedicated to the history and legacy of specialist art reviews, bulletins, and magazines across Europe―and their echoes elsewhere―in the early to mid-twentieth century. It assembles historical case studies on European modern art periodicals (British, French, German, Belgian, Finnish, Danish), presenting new research on the multiple meanings that such specialist publications assume within the history of modern art. Paying special attention to the interdependence of the art market and the art press, and reflecting upon the fresh insights that new forms of reading bring, each chapter adds to our historical understanding of the modern art review.

About the Author

Malcolm Gee, Chara Kolokytha, Newcastle upon Tyne; Kate Kangaslahti, Leuven.

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