Magic Flutes and Enchanted Forests. This item is unavailable.
Language: English
Published by The University of Chicago Press, 2008
- Hardcover
- New

Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
AbeBooks seller since October 9, 2009
Condition: New
US$ 87.87
Item description from seller
Drawing on hundreds of operas, sing-spiels, ballets, and plays with supernatural themes, this book argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. Num Pages: 508 pages, 4 colour plates, 6 halftones, 51 musical examples, 3 tables. BIC Classification: 3JF; AN; AVGC9. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 33. Weight in Grams: 1021. . 2008. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780226078090
- Title
- Magic Flutes and Enchanted Forests
- Author
- Buch, David J.
- Publisher
- The University of Chicago Press
- Publication year
- 2008
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0226078094
- ISBN 13
- 9780226078090
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them.
David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
"Synopsis" may belong to another edition of this title.
About the Author
David J. Buch is visiting professor in the Committee on Theater and Performance Studies at the University of Chicago.
"About the title" may belong to another edition of this title.