Making Strange (Paperback)

Miwon Kwon

ISBN 10: 0984755098 / ISBN 13: 9780984755097

Published by Fowler Museum of Cultural History,U.S., 2015

About this Item

Paperback. This volume juxtaposes for the first time two striking bodies of work by Delhi-based and internationally recognized contemporary artist Vivan Sundaram. Gagawaka, the first project, consists of twenty-seven sculptural garments made from a bizarre assortment of recycled materials including foam cups, surgical masks, tire tubes, tampons, X-ray film, bandages, bras, foil pill wrappers, and drain pipes. These garments evoke a relationship both playful and subversive to fashion, haute couture, the runway, and the brand.The second project, Postmortem, is a collection of haunting sculptural objects composedof mannequins, tailor's dummies, wooden props, and models of human organs and bones. Postmortem questions the spectacle of Gagawaka with a wider set ofcommentaries about the human body and social concerns related to aging, illness, and death. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9780984755097

Bibliographic Details

• Title: Making Strange (Paperback)
• Publisher: Fowler Museum of Cultural History,U.S.
• Publication Date: 2015
• Language: English
• ISBN 10: 0984755098
• ISBN 13: 9780984755097
• Binding: Paperback
• Condition: new

About this title

Synopsis

This volume juxtaposes for the first time two striking bodies of work by Delhi-based and internationally recognized contemporary artist Vivan Sundaram. Gagawaka, the first project, consists of twenty-seven sculptural garments made from a bizarre assortment of recycled materials including foam cups, surgical masks, tire tubes, tampons, X-ray film, bandages, bras, foil pill wrappers, and drain pipes. These garments evoke a relationship both playful and subversive to fashion, haute couture, the runway, and the brand.

The second project, Postmortem, is a collection of haunting sculptural objects composedof mannequins, tailor's dummies, wooden props, and models of human organs and bones. Postmortem questions the spectacle of Gagawaka with a wider set ofcommentaries about the human body and social concerns related to aging, illness, and death.

About the Author

Saloni Mathur is associate professor of art history at the University of California, LosAngeles. Miwon Kwon is professor of art history at University of California, Los Angeles.