Making Value (Paperback)

Timothy D. Taylor

ISBN 10: 1478030356 / ISBN 13: 9781478030355

Published by Duke University Press, North Carolina, 2024

About this Item

Paperback. In Making Value, Timothy D. Taylor examines how people's conceptions of value inform and shape their production and consumption of music. Drawing on anthropological value theory, Taylor theorizes music's economic and noneconomic forms of value both ethnographically and historically. He covers the creation and exchange of value in a wide range of contexts: indie rock scenes, an Irish traditional music session, the work of music managers, how supply chains function to create various forms of value, how trendspotters seek out and create value, and how musical performances act as media of value. Taylor shows that to focus on value is to attend to what is meaningful to people as they move through their worlds. Ultimately, Taylor demonstrates that theorizing value aids us in moving beyond the music itself toward understanding how musicians, workers in the music business, and audiences struggle to make and maintain what they value. Timothy D. Taylor theorizes music's economic and noneconomic forms of value to examine how people's conceptions of value inform and shape their production and consumption of music. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9781478030355

Bibliographic Details

• Title: Making Value (Paperback)
• Publisher: Duke University Press, North Carolina
• Publication Date: 2024
• Language: English
• ISBN 10: 1478030356
• ISBN 13: 9781478030355
• Binding: Paperback
• Condition: new

About this title

Synopsis

In Making Value, Timothy D. Taylor examines how people’s conceptions of value inform and shape their production and consumption of music. Drawing on anthropological value theory, Taylor theorizes music’s economic and noneconomic forms of value both ethnographically and historically. He covers the creation and exchange of value in a wide range of contexts: indie rock scenes, an Irish traditional music session, the work of music managers, how supply chains function to create various forms of value, how trendspotters seek out and create value, and how musical performances act as media of value. Taylor shows that to focus on value is to attend to what is meaningful to people as they move through their worlds. Ultimately, Taylor demonstrates that theorizing value aids us in moving beyond the music itself toward understanding how musicians, workers in the music business, and audiences struggle to make and maintain what they value.

About the Author

Timothy D. Taylor is Professor of Ethnomusicology at the University of California, Los Angeles, and author of Working Musicians: Labor and Creativity in Film and Television Production and Beyond Exoticism: Western Music and the World, both also published by Duke University Press.