The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980
Language: English
Published by Bloomsbury Publishing PLC, 2013
Series: Book 1 of 29 - International Library of the Moving Image
- Hardcover
- New

Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
AbeBooks seller since February 27, 2001
Condition: New
US$ 158.56
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Add to basketItem description from seller
Michael Klinger was the most successful independent producer in the British film industry over a twenty year period, from 1960 to 1980, responsible for 32 films, including classics such as Repulsion and Get Carter. Series: International Library of the Moving Image. Num Pages: 256 pages, illustrations. BIC Classification: 1DBK; 3JJPK; 3JJPL; APF. Category: (G) General (US: Trade). Dimension: 161 x 241 x 28. Weight in Grams: 614. . 2013. Hardcover. . . . .
Seller Inventory # V9781780762821
- Title
- The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980
- Author
- Dr Andrew Spicer
- Publisher
- Bloomsbury Publishing PLC
- Publication year
- 2013
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1780762828
- ISBN 13
- 9781780762821
- Series
- Book 1 of 29: International Library of the Moving Image
Michael Klinger was the most successful independent producer in the British film industry over a twenty year period, from 1960 to 1980, responsible for 32 films, including classics such as Repulsion and Get Carter. Despite working with many famous figures, including Michael Caine, Claude Chabrol, Mike Hodges, Lee Marvin and Roman Polanski, Klinger's contribution to British cinema has been ignored.
This definitive book on Klinger, largely based on his previously unseen personal papers, examines his origins in the Sixties' Soho sex industry, sexploitation cinema and 'shockumentaries', through to major international productions, including Shout at the Devil. It reveals how Klinger deftly combined commercial product – the popular 'Confessions' series – with artistic, experimental cinema and highlights the importance of his Jewishness. The book also assesses the essential, often misunderstood role played by the producer.
"Synopsis" may belong to another edition of this title.
About the Author
Andrew Spicer is Reader in Cultural History at the Department of Art and Design, University of the West of England.
Anthony McKenna is Research Associate at the Department of Art and Design, University of the West of England. He is the author of Typical Men: The Representation of Masculinity in Popular British Cinema (Tauris, 2003), Sydney Box (2006) and the Historical Dictionary of Film Noir (2010).
"About the title" may belong to another edition of this title.
Kennys Bookshop and Art Galleries Ltd.
Galway, GY, Ireland
AbeBooks seller since February 27, 2001
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