Mannerism and Baroque in Seventeeth-Century French Poetry: The Example of Tristan L'Hermite (North Carolina Studies in the Romance Languages and Literatures, 269)
Language: English
Published by University of North Carolina at Chapel Hill Department of Romance Studies, 2017
- Softcover
- New

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- Title
- Mannerism and Baroque in Seventeeth-Century French Poetry: The Example of Tristan L'Hermite (North Carolina Studies in the Romance Languages and Literatures, 269)
- Author
- Shepard, James Crenshaw
- Publisher
- University of North Carolina at Chapel Hill Department of Romance Studies
- Publication year
- 2017
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0807892734
- ISBN 13
- 9780807892732
This book examines mannerism and baroque in the poetry of Tristan L'Hermite, a leading lyric poet of the seventeenth century. After presenting a history of scholarship on both the mannerist and baroque styles, James Shepard offers a definition of each as it applies to seventeenth-century lyric poetry. He then turns to Tristan’s works, examining the poems contained in the Plaintes d'Acante et autres ouvres, Les Amours, La Lyre, and the Vers héroïques; his religious poetry; La Renommé; and his recently discovered poems.
Shepard reveals Tristan’s amatory poetry to be mannerist and his heroic and religious poetry to be baroque. Many poems, however, contain elements of both styles. This supports Frank J. Warnke’s theory that Baroque is the period style, with mannerism and baroque being two aspects of the period. Shepard also uncovers a baroque dompté style — the toned-down baroque that Helmut Hatzfeld and others argue characterized French classicism — in some of Tristan’s heroic and religious poetry.
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Ria Christie Collections
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