Light grey blind-stamped paper over boards; black DJ with color illustration and yellow, white and grey lettering; color illustrated endpapers; 176 pp.; richly illustrated, primarily in color. "The first publication dedicated exclusively to Mark Rothko's art during the critical formative period of the 1940s. Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time. During this period, Rothko moved from expressive figurative and surrealist canvases to more abstract multiform subjects and finally to his signature abstractions--luminous rectangles of color suspended in space. Richly illustrated with works by Rothko and his contemporaries, and with essays by prominent Rothko scholars, this important new book deepens our understanding of Rothko's art during this vital period, and that of the mature works that emerged from it."--Publisher's website. Good (Boards show shelf/edgewear; DJ shows shelf/edgewear, light foxing; interior is clean and tight.).

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Bibliographic Details

Title

Mark Rothko: The Decisive Decade, 1940-1950

Publisher

Skira Rizzoli, New York

Publication Date

2012

Language

English

ISBN 10

0847839001

ISBN 13

9780847839001

Binding

Hardcover

Seller catalogs

American Artists

About this title

Synopsis

The first publication dedicated exclusively to Mark Rothko’s art during the critical formative period of the 1940s. Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time. During this period, Rothko moved from expressive figurative and surrealist canvases to more abstract multiform subjects and finally to his signature abstractions—luminous rectangles of color suspended in space. Richly illustrated with works by Rothko and his contemporaries, introduction by Todd Herman and essays by prominent Rothko scholars, this important new book deepens our understanding of Rothko’s art during this vital period, and that of the mature works that emerged from it.

About the Author

Todd Herman is the director of the Arkansas Arts Center. David Anfam is an independent scholar in London and the author of the Rothko catalogue raisonn� of works on canvas. Modern and contemporary American art scholar Bradford R. Collins is the chair of the University of South Carolina’s art department. Harry Cooper is curator of modern and contemporary art at the National Gallery of Art, Washington, D.C. Ruth Fine is curator of special projects in modern art at the National Gallery of Art, Washington, D.C., and the author of the forthcoming catalogue raisonn� of Rothko’s works on paper. The son of Mark Rothko, Christopher Rothko is a writer and psychologist.

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