Martien Mulder: Interval (Paperback)
Martien Mulder
Sold by AussieBookSeller, Truganina, VIC, Australia
AbeBooks Seller since June 22, 2007
New - Soft cover
Condition: New
Ships from Australia to U.S.A.
Quantity: 1 available
Add to basketSold by AussieBookSeller, Truganina, VIC, Australia
AbeBooks Seller since June 22, 2007
Condition: New
Quantity: 1 available
Add to basketPaperback. A photographic meditation on the empty spaces between time, inspired by Japanese aestheticsThe Dutch-born photographer Martien Mulders (born 1971) new book of images springs from the Japanese concept of ma, which can be described as a pause in time, an interval, or emptiness in space. Teaming up with Amsterdam-based creatives Stef Bakker and Carsten Klein, Mulder embarked on an extensive quest to reveal the ma in her own images, editing from an archive of 25 years of photography. The images in this book are studies of the in-between; some center on details photographed at such close quarters that they lose their context, while others show only the negative space, inactivity or quiet nothingness. The viewing direction of the book is not dictated, nor is the beginning or the end, nor the pace: it can be opened to any page at any time, functioning as an object of contemplation. A photographic mediation on the empty spaces between time, inspired by Japanese aesthetics Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Seller Inventory # 9781947359086
A photographic meditation on the empty spaces between time, inspired by Japanese aesthetics
The Dutch-born photographer Martien Mulder’s (born 1971) new book of images springs from the Japanese concept of ma, which can be described as a pause in time, an interval, or emptiness in space. Teaming up with Amsterdam-based creatives Stef Bakker and Carsten Klein, Mulder embarked on an extensive quest to reveal the ma in her own images, editing from an archive of 25 years of photography. The images in this book are studies of the in-between; some center on details photographed at such close quarters that they lose their context, while others show only the negative space, inactivity or quiet nothingness. The viewing direction of the book is not dictated, nor is the beginning or the end, nor the pace: it can be opened to any page at any time, functioning as an object of contemplation.
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