This is the untold story of Mary Magdalene and it is possible to tell it now because new evidence has been uncovered, which sheds a completely different light on the role she performed at the resurrection of Jesus from the tomb. The new evidence shows that the gospel writers had used the holy tabernacle of Moses in place of the tomb when they related the events of the resurrection. Telling of the events of the resurrection through the lens of the tabernacle, the gospel writers were able to covertly convey that Mary Magdalene had the same status as the traditional high priest. The gospel writers achieved this aim by outlining how Mary Magdalene saw into God’s inner chamber of the two roomed tabernacle. We know this because she was able to view the two angelic cherubim sitting at either end of where the body of Jesus had lain. Those two cherubim were in God’s inner chamber where only the high priest had access. In contrast, the writers had restricted Peter’s access to the outer chamber where the regular priests ministered because he did not see the two angelic cherubim. Therefore, Mary Magdalene stood in the highest priestly office above Peter and she was destined to be the first Pope. This revelation about the gospel writers having used the tabernacle in place of the tomb came to light after I discovered an astonishing secret about the holy shrine itself. I had found that the various dimensions of the tabernacle in the biblical units of square cubits had the same numbers as the orbits of the planets. Not since the finding of the Dead Sea scrolls has such an extraordinary biblical discovery been uncovered. In turn, this heavenly archive in the tabernacle was the key, which identified the high priestess role of Mary Magdalene at the resurrection. "Out of whom went seven demons" was a phrase relating to Mary Magdalene and her only in the gospels. It can now be shown that this strange phrase pertained to a ritual in the tabernacle, which only the high priest could perform. It confirmed Mary Magdalene’s status as a high priestess and it makes her a role model for the ordination of women to the priesthood.

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About the Author

Michael Hearns is from Ireland and he has been involved for many years conducting independent research on some of the cryptic puzzles and unsolved mysteries in the Bible. Many of those puzzles involved numbers and time periods. Michael is the author of several books including The Mystery of the Tabernacle, The Messiah Immortalised in Time, Mary Magdalene - the First Pope and The "Copper Scroll" Bible. Michael made a tantalising discovery with the biblical tabernacle of Moses. He found that the various dimensions of the tabernacle in the ancient units of square cubits had the same numerical values as the orbits of the planets. This cosmic dimension transformed the tabernacle into a metaphysical structure making it a virtual heaven on earth. It led to Michael conducting an appraisal on why it stated in the gospels that the veil of the temple or tabernacle was rent in two at the death of Jesus. With the new knowledge of the cosmic data, Michael detected that the gospel writers had used the holy tabernacle as an image motif for the tomb in order to explain the resurrection of Jesus. In turn it revealed that Mary Magdalene had acquired the same status as the traditional high priest. This was why the gospel writers recorded Mary Magdalene as looking into God's holy of holies chamber and view the two angelic Cherubim sitting at either end of where the body of Jesus had lain. Only the high priest had access to God's inner chamber and with that eminent status, Mary Magdalene was destined to be the first Pope. Michael's latest research was a root and branch study of the mysterious copper scroll treasure map, which had confounded scholar for over sixty years since its discovery in a cave by the Dead Sea. He found that it was the numbers on the copper scroll, which were the real gems for they proved to be the indices of a marvellous calendar system for mastering time itself. Michael studied telecommunication engineering in Dublin Institute of Technology and also acquired an arts degree in The National College of Ireland.

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