Masculinity and Italian Cinema (Paperback)

Sergio Rigoletto

ISBN 10: 1399569473 / ISBN 13: 9781399569477

Published by Edinburgh University Press, Edinburgh, 2026

About this Item

Paperback. Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers. A study of how Italian films re-envisage male identity in response to sexual liberation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781399569477

Bibliographic Details

• Title: Masculinity and Italian Cinema (Paperback)
• Publisher: Edinburgh University Press, Edinburgh
• Publication Date: 2026
• Language: English
• ISBN 10: 1399569473
• ISBN 13: 9781399569477
• Binding: Paperback
• Condition: new

About this title

Synopsis

Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers.
Key Features* Re-examines key Italian films, including Bernardo Bertolucci's The Conformist, Ettore Scola's A Special Day, Pier Paolo Pasolini's Theorem and Lina Wertmüller's The Seduction of Mimì, in the light of gender and queer theory.* Covers the major thematic concerns, genres and stylistic traits of 1970s Italian political cinema* Analyses the broader cultural context of 1970s Italy, including sections on Italian feminism, Gay liberation and the post-'68 social movements.

About the Author

Sergio Rigoletto is Assistant Professor of Italian and Cinema Studies at the University of Oregon, USA. He has published on film comedy, contemporary queer cinema and Italian television. He is co-editor (with Louis Bayman) of Popular Italian Cinema.