Mass Capture | Chinese Head Tax and the Making of Non-Citizens

Lily Cho

ISBN 10: 0228008166 / ISBN 13: 9780228008163

Published by McGill-Queen's University Press, 2021

About this Item

Mass Capture | Chinese Head Tax and the Making of Non-Citizens | Lily Cho | Buch | Einband - fest (Hardcover) | Englisch | 2021 | McGill-Queen's University Press | EAN 9780228008163 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Seller Inventory # 132527698

Bibliographic Details

• Title: Mass Capture | Chinese Head Tax and the Making of Non-Citizens
• Publisher: McGill-Queen's University Press
• Publication Date: 2021
• Language: English
• ISBN 10: 0228008166
• ISBN 13: 9780228008163
• Binding: Buch
• Condition: Neu
• Dimensions: 246W x 191H x 23D millimeters 246 millimeters width by 191 millimeters height by 23 millimeters depth
• Weight: 757 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

Under the terms of the Chinese Immigration Act of 1885, Canada implemented a vast protocol for acquiring detailed personal information about Chinese migrants. Among the bewildering array of state documents used in this effort were CI 9s: issued from 1885 to 1953, they included date of birth, place of residence, occupation, identifying marks, known associates, and, significantly, identification photographs. The originals were transferred to microfilm and destroyed in 1963; more than 41,000 grainy reproductions of CI 9s remain.

Lily Cho explores how the CI 9s functioned as a form of surveillance and a process of mass capture that produced non-citizens, revealing the surprising dynamism of non-citizenship constantly regulated and monitored, made and remade, by an anxious state. The first mass use of identification photography in Canada, they make up the largest archive of images of Chinese migrants in the country, including people who stood no chance of being photographed otherwise. But CI 9s generated far more information than could be processed, and there is nothing straightforward about the knowledge that they purported to contain. Cho finds traces of alternate forms of kinship in the archive as well as evidence of the ways that families were separated. In attending to the particularities of these images and documents, Mass Capture uncovers the alternative story that lies in the refusals and resistances enacted by the mass captured.

Illustrated with painstakingly reconstituted digital reproductions of the microfilm record, Mass Capture reclaims the CI 9s as more than documents of racist repression, suggesting the possibilities for beauty and dignity in the archive, for captivation as well as capture.

About the Author

Lily Cho is associate professor of English at York University.