So begins "The Master's Muse, "an exquisite, deeply affecting novel about the true love affair between two artistic legends: George Balanchine, the Russian emigre to America who is widely considered the Shakespeare of dance, and his wife and muse, Tanaquil Le Clercq.

Copenhagen, 1956: Tanaquil Le Clercq, known as Tanny, is a gorgeous, talented, and spirited young ballerina whose dreams are coming true. She is married to the love of her life, George Balanchine-- the famous mercurial director of New York City Ballet. She dances the best roles in his newest creations, has been featured in fashion magazines and television dramas, socializes with the country's most renowned artists and intellectuals, and has become a star around the world. But one fateful evening, only hours after performing, Tanny falls suddenly and gravely ill; she awakens from a feverous sleep to find that she can no longer move her legs.

Tanny is diagnosed with polio and Balanchine quits the ballet to devote himself to caring for his wife. He crafts exercises to help her regain her strength, deepening their partnership and love for each other. But in the ensuing years, after Tanny discovers she will never walk again, their relationship is challenged as she endeavors to create a new identity for herself and George returns to the company, choreographing ballets inspired by the ever-younger, more beautiful and talented dancers. Their marriage is put to the ultimate test as Tanny battles to redefine her dreams and George throws himself into his art.

"The Master's Muse "is an evocative imagining of the deep yet complicated love between a smart, beautiful woman and her charismatic, ambitious husband; it is the story of an extraordinary collaboration in art and in life.

About the Author

VARLEY O'CONNOR is the author of three novels, The Cure, A Company of Three, and Like China. Her short prose has appeared in Faultline: Journal of Art and Literature, AWP Writer's Chronicle, Driftwood, Algonkian Magazine, the Sun, and in an anthology, Naming the World and Other Exercises for Creative Writers. In fall 2007 she joined the faculty at Kent State University, where in addition to undergraduate creative writing, she teaches fiction and creative nonfiction writing in the Northeast Ohio Universities Consortium MFA program.

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