Max Bill
Language: English
Published by Scheidegger und Spiess AG, Verlag, CH, 2018
- Softcover
- New

Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
AbeBooks seller since June 11, 2025
Condition: New
US$ 62.46
Quantity: 1 available
Add to basketItem description from seller
Swiss artist, architect, designer, typographer, and theorist Max Bill (1908-94) was one of the most important exponents of concrete and constructive art and a key figure in the history of 20th-century European applied arts and design. Educated by such eminent teachers as Paul Klee, Wassily Kandinsky, and Walter Gropius at the Bauhaus in Dessau, Bill immediately displayed a genius for work in fields as diverse as painting, sculpture, architecture, typography and design from the outset of his career in the 1930s. In the 1950s, he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, of which he became the first director. In his work, Max Bill carried on the Bauhaus legacy, both as an artist and a teacher, and made a decisive and lasting contribution to 20th-century cultural life.The new edition of this authoritative and much sought-after monograph displays Bill's wide-ranging work and sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill's influence on other artists and the lasting importance of his oeuvre in the present.Text in English and German.…
Seller Inventory # LU-9783858815781
- Title
- Max Bill
- Author
- Friederke Fast, Museum Marta Herford
- Publisher
- Scheidegger und Spiess AG, Verlag, CH
- Publication year
- 2018
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 3858815780
- ISBN 13
- 9783858815781
- Edition
- New edition.
- Item weight
- 940 grams
This long-awaited new edition of the authoritative book on Bill’s wide-ranging work, Max Bill: No Beginning, No End situates Bill within the context of his cultural moment. With more than two hundred illustrations of works by Bill and his contemporaries, the book also includes contributions by Getulio Alviani, Lorenzo Benedetti, Ulrike Bestgen, Friederike Fast, Erich Schmid, and Angela Thomas Schmid that investigate Bill’s influence on other artists and the lasting importance of his work to the present day.
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