Mechanical Occult

Alan Ramon Clinton

ISBN 10: 0820469432 / ISBN 13: 9780820469430

Published by Peter Lang, Peter Lang Mär 2004, 2004

About this Item

This item is printed on demand - Print on Demand Titel. Neuware -In the late nineteenth and early twentieth centuries, technology and spirituality formed uncanny alliances in countless manifestations of automatism. From Victorian mediums to the psychiatrists who studied them, from the Fordist assembly line to the Hollywood studios that adopted its practices, from Surrealism on the left to Futurism and Vorticism on the right, the unpredictable paths of automatic practice and ideology present a means by which to explore both the utopian and dystopian possibilities of technological and cultural innovation. Focusing on the poetry of T. S. Eliot, Ezra Pound, and William Butler Yeats, Alan Ramon Clinton argues that, given the wide-reaching influence of automatism, as much can be learned from these writers¿ means of production as from their finished products. At a time when criticism has grown polarized between political and aesthetic approaches to high modernism, this book provocatively develops its own automatic procedures to explore the works of these writers as fields rich in potential choices, some more spectral than others.Books on Demand GmbH, Überseering 33, 22297 Hamburg 238 pp. Englisch.

Seller Inventory # 9780820469430

Bibliographic Details

• Title: Mechanical Occult
• Publisher: Peter Lang, Peter Lang Mär 2004
• Publication Date: 2004
• Language: English
• ISBN 10: 0820469432
• ISBN 13: 9780820469430
• Binding: Buch
• Condition: Neu
• Dimensions: 231W x 155H x 17D millimeters 231 millimeters width by 155 millimeters height by 17 millimeters depth
• Weight: 488 grams

About this title

Synopsis

In the late nineteenth and early twentieth centuries, technology and spirituality formed uncanny alliances in countless manifestations of automatism. From Victorian mediums to the psychiatrists who studied them, from the Fordist assembly line to the Hollywood studios that adopted its practices, from Surrealism on the left to Futurism and Vorticism on the right, the unpredictable paths of automatic practice and ideology present a means by which to explore both the utopian and dystopian possibilities of technological and cultural innovation. Focusing on the poetry of T. S. Eliot, Ezra Pound, and William Butler Yeats, Alan Ramon Clinton argues that, given the wide-reaching influence of automatism, as much can be learned from these writers’ means of production as from their finished products. At a time when criticism has grown polarized between political and aesthetic approaches to high modernism, this book provocatively develops its own automatic procedures to explore the works of these writers as fields rich in potential choices, some more spectral than others.

About the Author

Alan Ramon Clinton received his PhD. in English from the University of Florida, and he has published articles on technology, spirituality, and twentieth-century literature. He is currently a postdoctoral fellow in the Department of Literature, Communication, and Culture at Georgia Tech in Atlanta, Georgia.