Media Burn: Ant Farm and the Making of an Image

Steve Seid

ISBN 10: 1941753353 / ISBN 13: 9781941753354

Published by Inventory Press LLC, US, 2021

About this Item

A detailed account of Ant Farm's 1975 Media Burn performance, a legendary act of consumerist critiqueThis book examines the complex set of cultural references and art-making strategies informing Ant Farm's seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets.Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975).In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort.Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself.

Seller Inventory # LU-9781941753354

Bibliographic Details

• Title: Media Burn: Ant Farm and the Making of an Image
• Publisher: Inventory Press LLC, US
• Publication Date: 2021
• Language: English
• ISBN 10: 1941753353
• ISBN 13: 9781941753354
• Binding: Paperback
• Condition: New

About this title

Synopsis

A detailed account of Ant Farm’s 1975 Media Burn performance, a legendary act of consumerist critique

This book examines the complex set of cultural references and art-making strategies informing Ant Farm’s seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets.

Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975).

In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort.

Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself.