Memory, Masculinity and National Identity in British Visual Culture, 1914 1930

Koureas, Gabriel

ISBN 10: 1138257281 / ISBN 13: 9781138257283

Published by Taylor & Francis Ltd, 2016

About this Item

BIC Classification: 1D; AC. Category: (G) General (US: Trade). . . 2016. Paperback / so. . . . . Books ship from the US and Ireland.

Seller Inventory # V9781138257283

Bibliographic Details

• Title: Memory, Masculinity and National Identity in British Visual Culture, 1914 1930
• Publisher: Taylor & Francis Ltd
• Publication Date: 2016
• Language: English
• ISBN 10: 1138257281
• ISBN 13: 9781138257283
• Binding: Soft cover
• Condition: New

About this title

Synopsis

With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.

About the Author

Gabriel Koureas is Associate Lecturer at Birkbeck College, University of London, UK. His research interests are in the construction of gender and national identities in relation to conflict. He is currently working on the role of visual culture in reconciling ethnic conflict.