Metal on Merseyside : Music Scenes, Community and Locality

Nedim Hassan

ISBN 10: 3030776808 / ISBN 13: 9783030776800

Published by Springer International Publishing, 2021

About this Item

Druck auf Anfrage Neuware - Printed after ordering - This is the first book to examine the partially hidden history of metal music scenes within the city of Liverpool and the surrounding region of Merseyside in the North-West of England. It reveals that while Liverpool has historically been portrayed as a certain kind of 'music city,' metal has been marginalized within its music heritage narratives. This marginality was not inevitable. The book illustrates how it is not merely the product of historical representation but the result of forces of urban change and regional shifts in the economy of live music. Nor is this marginality inconsequential. Drawing on ethnographic research, Nedim Hassan demonstrates that it has influenced how the region's metal scenes are perceived and how people feel towards them. Metal on Merseyside reveals how various people involved with such scenes work within often challenging circumstances to sustain the production of metal music and events. It also reveals the tensions that arise as scenemembers' desires for an ideal metal community collide with forces of change. Metal on Merseyside is, therefore, a fascinating barometer for the contradictions apparent when people engage in creative labour to produce music that they love.

Seller Inventory # 9783030776800

Bibliographic Details

• Title: Metal on Merseyside : Music Scenes, Community and Locality
• Publisher: Springer International Publishing
• Publication Date: 2021
• Language: English
• ISBN 10: 3030776808
• ISBN 13: 9783030776800
• Binding: Buch
• Condition: Neu
• Dimensions: 216W x 153H x 17D millimeters 216 millimeters width by 153 millimeters height by 17 millimeters depth
• Weight: 408 grams

About this title

Synopsis

This is the first book to examine the partially hidden history of metal music scenes within the city of Liverpool and the surrounding region of Merseyside in the North-West of England. It reveals that while Liverpool has historically been portrayed as a certain kind of ‘music city,’ metal has been marginalized within its music heritage narratives. This marginality was not inevitable. The book illustrates how it is not merely the product of historical representation but the result of forces of urban change and regional shifts in the economy of live music. Nor is this marginality inconsequential. Drawing on ethnographic research, Nedim Hassan demonstrates that it has influenced how the region’s metal scenes are perceived and how people feel towards them.

Metal on Merseyside reveals how various people involved with such scenes work within often challenging circumstances to sustain the production of metal music and events. It also reveals the tensions that arise as scenemembers’ desires for an ideal metal community collide with forces of change. Metal on Merseyside is, therefore, a fascinating barometer for the contradictions apparent when people engage in creative labour to produce music that they love.

About the Author

Nedim Hassan is Senior Lecturer in Media and Cultural Studies at Liverpool John Moores University, UK.​