Metaphors are diversly and intricately embedded in architectural practice and discourse. Precisely for this reason, this volume argues and sets out to explore, how they can be engaged to critically interrogate architecture’s social, cultural and political dimensions – past and present – and to productively challenge and intervene with established perspectives, debates and practices.
Mapping out not just potentials but also addressing the challenges, limitations and dangers inherent in using metaphors in architectural research and practice, the volume prominently illustrates the ambiguity and contradictoriness inherent in both metaphors and the process of engaging and exploiting them. Covering a broad range of historical and geographical cases and concerns, the contributions illustrate effectively that metaphors can expand or narrow our engagement with architecture, and consolidate or legitimise but also destabilise and challenge established social, cultural, disciplinary and political structures, concepts and categories.
With its aim to explore metaphors as both subject and method to critically challenge and expand established practices, perspectives and standards in architectural research and practice, the volume will be of interest for scholars working across the architectural humanities, including architectural history, theory, culture, design and urbanism, as well as for researchers concerned with architecture and the city from fields such as cultural, visual and area studies as well as art history.
Sarah Borree is a postdoctoral fellow at the interdisciplinary LOEWE research cluster Architectures of Order at Goethe-University Frankfurt/M. Her research explores the cultures and infrastructures of the production of architecture with a particular interest in photography and publications. She holds a PhD in Cultural Studies from the University of Edinburgh and a postgraduate degree in architecture from Bauhaus-Universität Weimar.
Stephanie Knuth is a doctoral researcher at the LOEWE research cluster Architectures
of Order at the Technical University of Darmstadt. She holds an M.A. in Sociology and a postgraduate certificate in Women’s and Gender Studies. Her research interests include the sociology of knowledge and technology, as well as feminist criticism of science and epistemology.
Moritz Röger is an art historian focusing on the history and theory of architecture in the 19th and 20th century. He holds an M.A. in art history from Goethe-University Frankfurt/M, co-curated an exhibition at the Deutsches Architekturmuseum (DAM) and was part of the LOEWE research cluster Architectures of Order. He currently works at the Heritage Conservation Office, Hessen.
