'Rebel', 'oddball' and 'Uncle Mickey': just three of the many conflicting labels Mickey Rourke has 'earned' over his remarkable career in the limelight. His public persona, moving from actor to boxer to actor, is not easy to define: making it all the more intriguing, and making Keri Walsh's study an unique and fascinating addition to the 'Film Stars' series.

About the Authors

Keri Walsh is Assistant Professor of English at Fordham University in New York.

Martin Shingler is Senior Lecturer in Radio and Film Studies at the University of Sunderland, UK. He is the co-author of two books, On Air: Methods and Meanings of Radio, with Cindy Wieringa, (1998) and Melodrama: Genre, Style& Sensibility, with John Mercer (2004). He has also published essays on the Hollywood film star Bette Davis in the books Hollywood Spectatorship, eds. Melvyn Stokes and Richard Maltby (BFI, 2001) and Screen Acting, eds. Alan Lovell and Peter Kramer, (1999), and in Screen, the Journal of American Studies, the Journal of Film& Video, Theatre Annual and Film History. He has edited a dossier on Bette Davis for Screen (2008) and an edition of the Radio Journal (2008). He is co-editor, with Susan Smith, of the BFI Film Stars series, and author of 'Star Studies: A Critical Guide' (BFI, 2012).

Susan Smith is Reader in Film Studies at the University of Sunderland, UK. She is author of Elizabeth Taylor (BFI/Palgrave, 2012), Voices in Film (Wallflower Press, 2007), The Musical: Race, Gender and Performance (Columbia University Press, 2005) and Hitchcock: Suspense, Humour and Tone (BFI, 2000). She also co-edits the BFI's Film Stars series.

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