The Model as Performance: Staging Space in Theatre and Architecture (Performance and Design)
Language: English
Published by Bloomsbury Methuen Drama, 2017
- Hardcover
- New

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Seller Inventory # V9781474271387
- Title
- The Model as Performance: Staging Space in Theatre and Architecture (Performance and Design)
- Author
- Thea Brejzek and Lawrence Wallen
- Publisher
- Bloomsbury Methuen Drama
- Publication year
- 2017
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 1474271383
- ISBN 13
- 9781474271387
- Series
- Book 2 of 10: Performance and Design
The Model as Performance investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition.
Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment.
The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.
"Synopsis" may belong to another edition of this title.
About the Author
Lawrence Wallen (PhD, MArch, BArch) is Professor and Head of School of Design at the University of Technology Sydney, Australia. From 2001-12 he was Professor of Scenography at the Zurich University of the Arts. A trained visual artist and architect, his research and practice is concerned with representation of space, spatial narative and postcolonial readings of landscape.
Joslin McKinney is Professor of Scenography at the University of Leeds, UK. She is the lead author of the Cambridge Introduction to Scenography (2009) and co-editor of Scenography Expanded (Bloomsbury, 2017). She has published articles and chapters
on scenographic research methods, scenographic spectacle and embodied spectatorship, phenomenology, kinaesthetic empathy and material agency.
Scott Palmer is Professor of Light and Performance in the School of Performance & Cultural Industries, University of Leeds, UK. He is the co-editor with Joslin McKinney of Scenography Expanded: An Introduction to Contemporary Performance Design and with Katherine Graham and Kelli Zezulka of Contemporary Performance Lighting: Experience, Creativity and Meaning.
Stephen A. Di Benedetto is Professor and Chair of the Department of Theatre Michigan State University, USA. He is Associate Editor (Drama) for ASAP/ Journal and Associate Editor for Scene . His books include The Provocation of the Senses in Contemporary Theatre (2010) and An Introduction to Theatre Design (2012).
"About the title" may belong to another edition of this title.
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