ARTICLES Unnecessary Melodrama: Ideology and Narrative Legacy in Chernyshevskii's What
Is to Be Done? and Godwin's Caleb Williams

Marlowe's Doctor Faustus and The French Translation of The Faustbuch

Seeking to Become All Things: The Neoplatonic Soul and The Next World in Sir
Thomas Browne's The Garden of Cyrus

The Proﬁts of Patriotism: National Allegory in Comus

Comedy and Tragedy in The Fiction of William Trevor

Wonder, Touch, and Subjectivity in Sc�ve's D�lie

No�l, Nonol�on, Jab�s: Anagrams and Palindromes of The papo�te

The Boundaries of Fiction: Metalepsis in Marcos Mart�nez's Espejo de pr�ncipes y caballeros (III) and its Precedents in Castilian Romances of Chivalry

Recasting Roque: Cervantes's Bandits and The Politics of Drama

Quixotic Mysticism and The Body: Querying National Identity in Eduardo
Mendicutti's Yo no tengo la culpa de haber nacido tan sexy

'Catastrophe Sociology' and The Metaphors We Live By: On Kathrin R�ggla's wir schlafen nicht

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