Monteverdi's Tonal Language:
Language: English
Published by Macmillan Publishing Company / Maxwell Macmillan Canada / Maxwell Macmillan International, New York, New York / Oxford, England, 1992
- Hardcover
- Used
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.Andover Books and Antiquities
AbeBooks seller since August 12, 2004
Condition: Used - Very good
US$ 50.00
Quantity: 1 available
Add to basketItem description from seller
Schirmer Books. xviii, 442 pp. LCC: 9125935.
Seller Inventory # JKP05170011
- Title
- Monteverdi's Tonal Language:
- Author
- Chafe, Eric Thomas; ;
- Publisher
- Macmillan Publishing Company / Maxwell Macmillan Canada / Maxwell Macmillan International, New York, New York / Oxford, England
- Publication year
- 1992
- Condition
- Very good condition.
- Dust jacket
- Very good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0028704959
- ISBN 13
- 9780028704951
- Seller catalogs
- Reformation of Church and Society in the Sixteenth and Seventeenth Centuries: The Gift of Music
Monteverdi's Tonal Language is a provocative new examination of the theoretical issues surrounding the emergence of early seventeenth-century tonality combined with systematic analysis of a wide range of Monteverdi's secular works. Eric Chafe argues that the composer's music was rooted in a strong sense of musical logic and a secure grasp of tonality combined with Monteverdi's assertion that music should be dominated by allegory Chafe offers a new framework for understanding the complex historical style and systematic features of the tonal language of Monteverdi's time and the composer's particular version of it.
Building on Carl Dahlhaus's analysis of emerging tonality in Monteverdi's madrigals, Chafe expands the scope of the "modal-hexachordal" system rooted in the composer's work at the time of his fourth and fifth madrigal books. In addition to covering text-music relationships of a large and representative amount of Monteverdi's music, Chafe discusses several unexplored areas crucial to any understanding of the composer's tonal language. The two madrigals "Cor mio, mentre vi miro" (from Book Four) and "O Mirtillo" (from Book Five) illustrate the theoretical features of early seventeenth-century tonality. Chafe examines the pronounced sense of tonal clarity that distinguishes the Fourth Book of Madrigals, and he articulates the tonal styles Monteverdi used as organizing criteria in the Fifth Book. In subsequent chapters he demonstrates how the characteristic devices of Orfeo emerge as basic properties of the "modal-hexachordal" system, and discusses Monteverdi's creation of ordered reality in Il Ballo delle in grate and the "Lamento d'Arianna." He further argues that the Sixth Book symbolized the interaction of polyphonic madrigal and monody, and demonstrates convincingly that the Seventh Book was a milestone in Monteverdi's creative development, assuming the characteristics that marked his later tonal style. In the Eighth Book the composer set forth a manifesto for the allegorical nature of Baroque music; Il ritorno d'Ulisse un patria is a mature working out of the potential of tonal allegory. Finally in the last three chapters, Chafe discusses the tonal-allegorical framework, aspects of musical characterization, and questions of authenticity in Monteverdi's last opera, L'incoronazione di Poppea.
"Synopsis" may belong to another edition of this title.
Andover Books and Antiquities
Andover, MA, U.S.A.
AbeBooks seller since August 12, 2004
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Andover Books and Antiquities
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