Is it possible for books to dream? For books to dream within books? Is there a literary subterranea that would facilitate ingress and exit points through these dreams?

These are some of the questions posed by David Keenan's masterly fifth novel, Monument Maker, an epic romance of eternal summer and a descent, into history, into the horrors of the past; a novel with a sweep and range that runs from the siege of Khartoum and the conquest of Africa in the 19th century through the Second World War and up to the present day, where the memory of a single summer, and a love affair that took place across the cathedrals of Ile de France, unravels, as a secret initiatory cult is uncovered that has its roots in macabre experiments in cryptozoology in pre-war Europe.

MONUMENT MAKER straddles genres while fully embracing none of them, a book within a book within a book that runs from hallucinatory historical epics through future-visioned histories of the world narrated by a horribly disfigured British soldier made prophetic by depths of suffering; books that interact with Keenan's earlier novels, including a return to the mythical post-punk Airdrie landscape of his now classic debut, THIS IS MEMORIAL DEVICE; whole histories of art and religion; books that are glorious choral appendices; bibliographies; imagined films; tape recorded interviews; building to a jubilant accumulation of registers, voices and rhythms that is truly Choral.

Written over the course of 10 years, MONUMENT MAKER represents the apex of Keenan's project to create books that contain uncanny life and feel like living organisms. It is a meditation on art and religion, and on what it means to make monument; this great longing for something eternal, something that could fix moments in time, forever.

About the Author

David Keenan is the author of six critically-acclaimed novels; the cult classic This is Memorial Device, which won the London Magazine Prize; For the Good Times, which won the Gordon Burn Prize and was shortlisted for the Encore Award; The Towers The Fields The Transmitters, Xstabeth, which was shortlisted for the Dublin Literary Award, Monument Maker, which was a Rough Trade Book of the Year and Industry of Magic & Light. He is also the author of England's Hidden Reverse, a history of the UK's post-punk and Industrial music scenes. He has been writing about music since he was seventeen years old, most consistently for The Wire, and between the years 2004-2014 he co-ran the cult Glasgow record shop Volcanic Tongue. His selected music writing was published in 2025 as the collection Volcanic Tongue.

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