Mortal Cities and Forgotten Monuments
Language: English
Published by Park Books, CH, 2016
- Hardcover
- New

Seller: Rarewaves.com USA, London, London, United KingdomRarewaves.com USA
AbeBooks seller since June 11, 2025
Condition: New
US$ 43.24
Quantity: 2 available
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In her book Mortal Cities and Forgotten Monuments, Arna Mackic explores the topic of war damage to cities and the destruction of their inhabitants' built environment. Mackic, who as a child together with her family had to flee her native Bosnia during the civil war of the 1990s, in her research follows the question "How does destruction make one feel?" The aggressors in the Bosnian war meticulously planned which buildings to destroy to maximise psychological impact on a city's inhabitants. Arguably the most famous example is the bridge of Mostar. When its architecture is destroyed, the face of a city changes, sometimes beyond recognition. Mackic also investigated the role that architecture played at turning points in the history of former Yugoslavia, in particular that of the monuments built between the late 1940s and the 1960 commemorating the victims of fascism under German occupation during World War II.The new book also features Mackic's her proposal for restoring cultural memory through architecture, applying a new open design language that goes beyond political, religious, or cultural interpretations. It outlines options for design interventions in urban space, rooted in ancient traditions while constructively aiming at the future.…
Seller Inventory # LU-9783038600091
- Title
- Mortal Cities and Forgotten Monuments
- Author
- Rosa Te Velde, Arna Mackic
- Publisher
- Park Books, CH
- Publication year
- 2016
- Condition
- New
- Binding
- Hardback
- Language
- English
- ISBN 10
- 3038600091
- ISBN 13
- 9783038600091
- Item weight
- 666 grams
Mortal Cities and Forgotten Monuments tells a moving story of architecture and history. The first two parts of the book provide historical background on the war in Bosnia and its relationship to the built environment of the region. The final section demonstrates Mačkić’s ideas for architectural interventions, applying a new design language that goes beyond political religious, or cultural interpretations—an openness that allows it avoid tensions and claims of truth without ignoring or denying the past. Using this as a foundation, she proposes designs for urban and public space that are simultaneously rooted in ancient traditions while looking toward the future.
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