Synopsis
The evidence of death and dying has been removed from the everyday lives of most Westerners. Yet we constantly live with the awareness of our vulnerability as mortals. Drawing on a range of genres, bands and artists, Mortality and Music examines the ways in which popular music has responded to our awareness of the inevitability of death and the anxiety it can evoke. Exploring bereavement, depression, suicide, violence, gore, and fans' responses to the deaths of musicians, it argues for the social and cultural significance of popular music's treatment of mortality and the apparent absurdity of existence.
About the Authors
Christopher Partridge is Professor of Religious Studies, Department of Politics, Philosophy and Religion, Lancaster University, UK. He is the author of several books, including High Culture: Drugs, Mysticism, and the Pursuit of Transcendence in the Modern World (2018) and Mortality and Music: Popular Music and the Awareness of Death (2015)
Marcus Moberg is Professor of Theology and Study of Religions at Åbo Akademi University, Finland. His research interests include the sociology of religion, media and culture, religion, markets and consumer culture studies, and the discursive study of religion.
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