Multimedia Programming Using Max/MSP and TouchDesigner

Patrik Lechner

ISBN 10: 1849699712 / ISBN 13: 9781849699716

Published by Packt Publishing, 2014

About this Item

Clean pages. Dog ear bends to cover corners. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. Slight edge wear and bumping.

Seller Inventory # mon0000012901

Bibliographic Details

• Title: Multimedia Programming Using Max/MSP and TouchDesigner
• Publisher: Packt Publishing
• Publication Date: 2014
• Language: English
• ISBN 10: 1849699712
• ISBN 13: 9781849699716
• Binding: paperback
• Condition: Good

About this title

Synopsis

If you want to learn how to use Max 6 and/or TouchDesigner, this is the book for you. It is intended to also be enjoyable to read for intermediate users of both programs and can be helpful for artists, designers, musicians, VJ s, and researchers . Further exceptional prerequisites are not expected, though some basic understanding ofaudio principles is advantageous. If you wish to work in audio-visual real-time processing, this book is for you.

About the Author

Patrik Lechner started making electronic music at the age of 16, and soon discovered environments such as Pure Data and Max/MSP. From then on, he developed many tools for his own experimental music, and it wasn't long after this that he started creating generative 3D visualizations of audio material. Since then, he has devoted nearly all his life to real-time audio/video processing and generation. Patrik worked as an audio engineer for an Austrian TV station for years, and taught Max/MSP both privately and at institutions. For instance, he conducted workshops for the audio engineers of the Burgtheater Vienna, and since 2012, he has been working for the University of Applied Sciences in St. Plten (FH St. Plten). Patrik has worked on many multimedia projects, for example, an installation at the Festspielhaus Baden-Baden for the Institut fr Creative\Media/Technologies, FH St. Plten, and an interactive audio installation in Dubai. As an artist, he did audiovisual performances in Austria, Italy, Germany, Mexico, Canada, and Dubai, and regularly played at the Austrian Pavilion at the world exhibition in Shanghai 2010. He worked a lot with classically trained musicians, developed a real-time scoring system/piece for a string quartet that premiered in 2012, and frequently works with painters and artists from other fields.