The Murder Factory (Paperback)

Alexandra Midal

ISBN 10: 3956795431 / ISBN 13: 9783956795435

Published by Sternberg Press, New York, 2023

About this Item

Paperback. The simultaneous emergence of the serial killer and the assembly line as expressions of the rationality of modern production methods.The simultaneous emergence of the serial killer and the assembly line as expressions of the rationality of modern production methods.In 1896, at the age of 35, Henry Howard Holmes, whose real name was Herman Webster Mudget, became the first serial killer in the United States, confessing to dozens of crimes. To carry out his activities quietly, he built in Chicago a building so vast that his neighbors called it the "Ch teau." Located just a stone's throw from the most sophisticated slaughterhouses in the world, lethal, practical, and comfortable, Holmes's building was equipped with the latest innovations. A rational, cozy masterpiece of crime dressed in slippers, Holmes's project fit perfectly into the functionalist project of the modern world.In The Murder Factory, Alexandra Midal examines the almost simultaneous emergence of the industrial revolution and the figure of the serial killer. Far from being a coincidence, it marks the rationality of new production methods-of which the assembly line and serial murder are two expressions. In the Holmes case, an antihero of modern history can shed light on the treatment of living things brought about by this economic, mechanical, and cultural revolution.H. H. Holmes's confessions, published in the Philadelphia Enquirer just before his execution in April 1896, follow Midal's text. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9783956795435

Bibliographic Details

• Title: The Murder Factory (Paperback)
• Publisher: Sternberg Press, New York
• Publication Date: 2023
• Language: English
• ISBN 10: 3956795431
• ISBN 13: 9783956795435
• Binding: Paperback
• Condition: new

About this title

Synopsis

The simultaneous emergence of the serial killer and the assembly line as expressions of the rationality of modern production methods.

In 1896, at the age of 35, Henry Howard Holmes, whose real name was Herman Webster Mudget, became the first serial killer in the United States, confessing to dozens of crimes. To carry out his activities quietly, he built in Chicago a building so vast that his neighbors called it the “Château.” Located just a stone's throw from the most sophisticated slaughterhouses in the world, lethal, practical, and comfortable, Holmes's building was equipped with the latest innovations. A rational, cozy masterpiece of crime dressed in slippers, Holmes's project fit perfectly into the functionalist project of the modern world.

In The Murder Factory, Alexandra Midal examines the almost simultaneous emergence of the industrial revolution and the figure of the serial killer. Far from being a coincidence, it marks the rationality of new production methods—of which the assembly line and serial murder are two expressions. In the Holmes case, an antihero of modern history can shed light on the treatment of living things brought about by this economic, mechanical, and cultural revolution.

H. H. Holmes's confessions, published in the Philadelphia Enquirer just before his execution in April 1896, follow Midal's text.

About the Author

Alexandra Midal is a curator and Professor of History and Theory of Design at HEAD–Genève. She is former director of the the Regional Contemporary Art Funds of Haute-Normandie (FRAC) and a former assistant to the artist Dan Graham for public commissions.